|
OPERANAAM-COMPONIST |
ACTENR |
ARIANAMEN |
ARIA SOORT |
TOELICHTING |
ZANGSTEM |
TIJDSDUUR |
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|
Edgar |
1.. |
O fior del giorno |
solo |
aria Fidelea |
sopraan |
|
|
Puccini Giacomo |
1.. |
Gia il mandorlo vicini |
solo |
aria Fidelia |
sopraan |
|
|
|
1.. |
Questo amor vergogna mio |
solo |
aria Frank |
bariton |
|
|
|
1.. |
Tu il cuor mi strazi |
solo |
aria Tigrana |
mezzo |
|
|
|
2.. |
O soave vision |
solo |
aria Edgar |
tenor |
|
|
|
3.. |
O lebbra sozzura del mondo |
solo |
aria Edgar |
tenor |
|
|
|
3.. |
Addio addio mio dolce amor |
solo |
aria Fidelea |
sopraan |
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|
|
3.. |
Nel villaggio d'Edgar |
solo |
aria Fidelea |
sopraan |
|
|
|
3.. |
Bella signora il pianto sciupo gli occhi |
solo |
aria Edgar |
tenor |
|
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Elektra 2 |
? |
Ich will nichts hören |
duet |
duet Elektra+ maagd |
sopraan+ alt |
|
|
Strauss Richard |
? |
Was willst du fremder Mensch? |
duet |
|
sopraan+ bariton |
|
|
|
? |
Wie stark du bist |
solo |
aria Elektra |
sopraan |
|
|
|
? |
Elektra Schwester |
? |
|
? |
|
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|
1.. |
Allein weh ganz allein |
solo |
monoloog Elektra |
sopraan dramatisch |
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|
|
1.. |
Ich hab's wie Feuer in der Brust |
solo |
aria Chrysothemis |
sopraan lyrisch |
|
|
|
1.. |
Orest Orest es ruhrt sich niemand |
duet |
monoloog+ duet Elektra+ Orest |
sopraan dramatisch |
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|
|
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|
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|
Elisabetta Regina d'Inghilterra |
? |
Fellon la pena avrai |
solo |
|
mezzo |
|
|
Rossini Gioachimo |
1.. |
Piu pieta piu bella apparve l'aurora |
duet |
ensemble Norfolk+ Guglielmo |
tenor+ tenor |
|
|
|
1.. |
Esulta Elisa |
koor |
hovelingen |
nvt |
|
|
|
1.. |
Incauta che festi! |
duet |
duet Matilde+ ZLeicester |
sopraan lyrisch+ tenor |
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|
|
1.. |
Sento un'interna voce |
solo |
klaagzang Matilde |
sopraan lyrisch |
|
|
|
1.. |
Perche mai destin crudele |
duet |
duet Norfolk+ Elisabetta |
tenor+ sopraan dramatisch |
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|
|
1.. |
Qual colpo inaspettato |
kwartet |
Matilde+ Leicester+ Norfolk+ Elisabetta |
sopraan lyrisch+tenor+tenor+sopr dram. |
|
|
1.. |
Quegl'indegni sien serbati |
solo |
aria Elisabetta |
sopraan dramatisch |
|
|
|
1.. |
Quant'e grato all'alma mia |
solo |
cavatina Elisabetta |
sopraan dramatisch |
|
|
|
2.. |
Deh! troncate i ceppi suoi |
solo |
aria Norfolk |
tenor |
|
|
|
2.. |
Bastan quelle lagrime |
duet |
duet Elisabetta+ Matilde |
sopraan dramatisch |
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|
|
2.. |
L'avverso mio destino |
trio |
terzet Matilde+ Leicester+ Elisabetta |
sopraan lyrisch+ tenor+ sopraan dramatisch |
6.50 |
|
|
2.. |
Qui soffermiamo il pie |
koor |
volk |
nvt |
|
|
|
2.. |
Deh! scusa i trasporti |
duet |
duet Norfolk+ Leicester |
tenor+ tenor |
|
|
|
2.. |
Della cieca fortuna |
solo |
aria Leicester |
tenor |
|
|
|
2.. |
Bell alme generose |
solo |
aria Elisabetta |
sopr drasm |
|
|
|
2.. |
Fuggi amor da questo seno |
solo |
scene Elisabetta |
sopraan dramatisch |
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|
Elisir d'amore |
1.01 |
Ouverture |
orkest |
|
geen |
2.39-4.55 |
|
Donizetti Gaetano |
1.02 |
Bel conforto al mietitore |
solo/koor |
aria Giannetta met houtvesters |
sopraan soubrette |
1.59 |
|
|
1.02 |
Welche Labung fr den Schnitter* |
solo/koor |
aria Giannetta met houtvesters |
sopraan soubrette |
1.59 |
|
|
1.02 |
Qu'il est doux au moissonneur* |
solo/koor |
aria Giannetta met houtvesters |
sopraan soubrette |
1.59 |
|
|
1.02 |
It is a great solace to the harvester* |
solo/koor |
aria Giannetta met houtvesters |
sopraan soubrette |
1.59 |
|
|
1.03 |
Quanto e bella quanto e cara |
solo |
aria Nemorino |
tenor lyrisch |
2.27-3.19 |
|
|
1.03 |
Wie schön sie ist wie lieb sie ist* |
solo |
aria Nemorino |
tenor lyrisch |
2.27-3.19 |
|
|
1.03 |
Qu'elle est belle comme elle est chère* |
solo |
aria Nemorino |
tenor lyrisch |
2.27-3.19 |
|
|
1.03 |
How lovely she is* |
solo |
aria Nemorino |
tenor lyrisch |
2.27-3.19 |
|
|
1.04 |
Benedette queste carte |
trio |
scene Adina+ Giannetta+ Nemorino |
sopraan+ sopraan soubret+ tenor |
4.40 |
|
|
1.04 |
Was für ein herrliches Buch* |
trio |
scene Adina+ Giannetta+ Nemorino |
sopraan+ sopraan soubret+ tenor |
4.40 |
|
|
1.04 |
Quel bon livre* |
trio |
scene Adina+ Giannetta+ Nemorino |
sopraan+ sopraan soubret+ tenor |
4.40 |
|
|
1.04 |
This book is lovely* |
trio |
scene Adina+ Giannetta+ Nemorino |
sopraan+ sopraan soubret+ tenor |
4.40 |
|
|
1.05 |
Della crudele Isotta |
solo |
aria Adina |
sopraan |
3.59-4.15 |
|
|
1.05 |
Für die grausame Isolde* |
solo |
aria Adina |
sopraan |
3.59-4.15 |
|
|
1.05 |
Pour la cruelle Iseult* |
solo |
aria Adina |
sopraan |
3.59-4.15 |
|
|
1.05 |
For hard-hearted Yseult* |
solo |
aria Adina |
sopraan |
3.59-4.15 |
|
|
1.06 |
Marziale |
orkest |
|
geen |
1.05 |
|
|
1.06 |
Marsch* |
orkest |
|
geen |
1.05 |
|
|
1.06 |
Marche* |
orkest |
|
geen |
1.05 |
|
|
1.06 |
March* |
orkest |
|
geen |
1.05 |
|
|
1.07a |
Come Paride vezzoso |
trio |
aria Belcore+ Adina+ Nemorino |
bariton+ sopraan+ tenor |
4.15-7.58 |
|
|
1.07a |
So wie der schöne Paris* |
trio |
aria Belcore+ Adina+ Nemorino |
bariton+ sopraan+ tenor |
4.15-7.58 |
|
|
1.07a |
Comme le beau Paris* |
trio |
aria Belcore+ Adina+ Nemorino |
bariton+ sopraan+ tenor |
4.15-7.58 |
|
|
1.07a |
In the same way handsome as paris* |
trio |
aria Belcore+ Adina+ Nemorino |
bariton+ sopraan+ tenor |
4.15-7.58 |
|
|
1.07b |
Or se m'ami come io t'amo |
kwartet |
kwartet Belcore+ Adina+ Nemorino+ Gianetta |
bariton+ sopraan+ tenor+ soubrette |
3.15 |
|
|
1.08 |
Intanto o mia ragazza |
duet |
scene Belcore+ Adina |
bariton+ sopraan |
0.40 |
|
|
1.08 |
Inzwischen meine Liebe* |
duet |
scene Belcore+ Adina |
bariton+ sopraan |
0.40 |
|
|
1.08 |
En attendant ma jolie fille* |
duet |
scene Belcore+ Adina |
bariton+ sopraan |
0.40 |
|
|
1.08 |
Meanwhile my pretty maid* |
duet |
scene Belcore+ Adina |
bariton+ sopraan |
0.40 |
|
|
1.09 |
Una parola o Adina |
duet |
recitatief bij Chiedi all'aura lusinghiera |
sopraan colleratuur |
1.39-7.35 |
|
|
1.09 |
Ein Wort nur Adina* |
duet |
recitatief bij Chiedi all'aura lusinghiera |
sopraan colleratuur |
1.39-7.35 |
|
|
1.09 |
Un mot Adina* |
duet |
recitatief bij Chiedi all'aura lusinghiera |
sopraan colleratuur |
1.39-7.35 |
|
|
1.09 |
A word Adina* |
duet |
recitatief bij Chiedi all'aura lusinghiera |
sopraan colleratuur |
1.39-7.35 |
|
|
1.10 |
Chiedi all'aura lusinghiera |
duet |
duet Adina+ Nemorino |
sopraan colleratuur |
6.31-7.55 |
|
|
1.10 |
Frag den schmeichelnden Zephir* |
duet |
duet Adina+ Nemorino |
sopraan colleratuur |
6.31-7.55 |
|
|
1.10 |
Demande … la douche brise* |
duet |
duet Adina+ Nemorino |
sopraan colleratuur |
6.31-7.55 |
|
|
1.10 |
Ask the flattering breeze* |
duet |
duet Adina+ Nemorino |
sopraan colleratuur |
6.31-7.55 |
|
|
1.11 |
Che vuol dire codesta suonata |
koor |
koor van mannen |
geen |
1.46 |
|
|
1.11 |
Was bedeutet diese Musik* |
koor |
koor van mannen |
geen |
1.46 |
|
|
1.11 |
Qu'est ce que cette bruit* |
koor |
koor van mannen |
geen |
1.46 |
|
|
1.11 |
What is the meaning of that music* |
koor |
koor van mannen |
geen |
1.46 |
|
|
1.12 |
Udite udite oh! rustici |
solo |
aria buffo Dulcamara |
bas buffo |
6.48-7.56 |
|
|
1.12 |
Hör zu ihr Landleute* |
solo |
aria buffo Dulcamara |
bas buffo |
6.48-7.56 |
|
|
1.12 |
Ecoutez o gens du pays* |
solo |
aria buffo Dulcamara |
bas buffo |
6.48-7.56 |
|
|
1.12 |
Listen country folk* |
solo |
aria buffo Dulcamara |
bas buffo |
6.48-7.56 |
|
|
1.13 |
Ardir ha forse il cielo mandato |
duet |
scene Nemorino+ Dulcamra |
tenor+ bas |
6.55-7.22 |
|
|
1.13 |
Nur Mut vielleicht hat der Himmel* |
duet |
scene Nemorino+ Dulcamra |
tenor+ bas |
6.55-7.22 |
|
|
1.13 |
Courage peut-ˆtre le ciel a-t-il envoy‚* |
duet |
scene Nemorino+ Dulcamra |
tenor+ bas |
6.55-7.22 |
|
|
1.13 |
Courage perhaps heaven has sent* |
duet |
scene Nemorino+ Dulcamra |
tenor+ bas |
6.55-7.22 |
|
|
1.14a |
Voglio dire lo stupendo elisir |
duet |
scene Nemorino+ Dulcamara |
tenor+ bas |
6.00-7.20 |
|
|
1.14a |
Ich meine das erstaunliche Elixier* |
duet |
scene Nemorino+ Dulcamara |
tenor+ bas |
6.00-7.20 |
|
|
1.14a |
Je veux dire l'étonnant élixir* |
duet |
scene Nemorino+ Dulcamara |
tenor+ bas |
6.00-7.20 |
|
|
1.14a |
I mean the marvellous elixir* |
duet |
scene Nemorino+ Dulcamara |
tenor+ bas |
6.00-7.20 |
|
|
1.14b |
Obbligato obbligato |
duet |
duet Dulcamara+ Nemorino |
bas buffo+ tenor lyrisch |
6.00 |
|
|
1.14b |
Danke ach danke* |
duet |
duet Dulcamara+ Nemorino |
bas buffo+ tenor lyrisch |
6.00 |
|
|
1.14b |
Merci oh merci* |
duet |
duet Dulcamara+ Nemorino |
bas buffo+ tenor lyrisch |
6.00 |
|
|
1.14b |
Much obliged* |
duet |
duet Dulcamara+ Nemorino |
bas buffo+ tenor lyrisch |
6.00 |
|
|
1.15 |
Caro elisir sei mio |
solo |
scene Nemorino |
tenor |
2.22-3.14 |
|
|
1.15 |
Teurer Trank du bist mein* |
solo |
scene Nemorino |
tenor |
2.22-3.14 |
|
|
1.15 |
Cher elixir tu es … moi* |
solo |
scene Nemorino |
tenor |
2.22-3.14 |
|
|
1.15 |
Dear elixir you are mine* |
solo |
scene Nemorino |
tenor |
2.22-3.14 |
|
|
1.16a |
Lallarallara la la |
duet |
scene Nemorino+ Adina |
tenor+ sopraan |
3.00-5.18 |
|
|
1.16b |
Esulti pur la Barbara |
duet |
duet Adina+ Nemorino |
tenor+ sopraan |
5.20-8.22 |
|
|
1.16b |
Freu dich nur Grausame* |
duet |
duet Adina+ Nemorino |
tenor+ sopraan |
5.20-8.22 |
|
|
1.16b |
Ris perfide* |
duet |
duet Adina+ Nemorino |
tenor+ sopraan |
5.20-8.22 |
|
|
1.16b |
Let the faithless creature laugh* |
duet |
duet Adina+ Nemorino |
tenor+ sopraan |
5.20-8.22 |
|
|
1.17 |
Tran tran inguerra ed amor |
trio |
scene Adina+ Belcore+ Nemorino |
sopraan+ bariton+ tenor |
3.15 |
|
|
1.17 |
Tran tran in Krieg und Liebe* |
trio |
scene Adina+ Belcore+ Nemorino |
sopraan+ bariton+ tenor |
3.15 |
|
|
1.17 |
Tran tran en guerre et amour* |
trio |
scene Adina+ Belcore+ Nemorino |
sopraan+ bariton+ tenor |
3.15 |
|
|
1.17 |
Tara tara in love and war* |
trio |
scene Adina+ Belcore+ Nemorino |
sopraan+ bariton+ tenor |
3.15 |
|
|
1.18 |
Signor sargente |
trio/koor |
scene Giannette+ Belcore+ Nemorino |
sopraan soubr+ bariton+ tenor |
2.38 |
|
|
1.18 |
Herr sergeant* |
trio/koor |
scene Giannette+ Belcore+ Nemorino |
sopraan soubr+ bariton+ tenor |
2.38 |
|
|
1.18 |
Monsieur le sergeant* |
trio/koor |
scene Giannette+ Belcore+ Nemorino |
sopraan soubr+ bariton+ tenor |
2.38 |
|
|
1.18 |
Sergeant* |
trio/koor |
scene Giannette+ Belcore+ Nemorino |
sopraan soubr+ bariton+ tenor |
2.38 |
|
|
1.19 |
Adina credimi te ne scongiure |
kwartet |
kwartet Nemorino+ Belcore+ Adina+ Giannetta |
tenor+ bariton+ sopraan+ sopraan soubrette |
4.24-4.57 |
|
|
1.19 |
Adina glaub mir ich beschwöre* |
kwartet |
kwartet Nemorino+ Belcore+ Adina+ Giannetta |
tenor+ bariton+ sopraan+ sopraan soubrette |
4.24-4.57 |
|
|
1.19 |
Adina crois moi je t'en conjure* |
kwartet |
kwartet Nemorino+ Belcore+ Adina+ Giannetta |
tenor+ bariton+ sopraan+ sopraan soubrette |
4.24-4.57 |
|
|
1.19 |
Believe me Adina I implore you* |
kwartet |
kwartet Nemorino+ Belcore+ Adina+ Giannetta |
tenor+ bariton+ sopraan+ sopraan soubrette |
4.24-4.57 |
|
|
1.20 |
Andiam Belcore |
trio |
scene Adina+ Nemorino+Belcore ea |
sopraan+ tenor+ bariton ea |
3.06-3.37 |
|
|
1.20 |
Wohlan Belcore* |
trio |
scene Adina+ Nemorino+Belcore ea |
sopraan+ tenor+ bariton ea |
3.06-3.37 |
|
|
1.20 |
Allons Belcore* |
trio |
scene Adina+ Nemorino+Belcore ea |
sopraan+ tenor+ bariton ea |
3.06-3.37 |
|
|
1.20 |
Let's go Belcore* |
trio |
scene Adina+ Nemorino+Belcore ea |
sopraan+ tenor+ bariton ea |
3.06-3.37 |
|
|
2.01 |
Cantiamo cantiam |
kwartet/koor |
scene Belcore+ Adina+ Dulcanara+ Giannetta met burgers |
tenor+ sopraan+ bas+ sopraan soubrette |
2.25 |
|
|
2.01 |
Singt sing* |
kwartet/koor |
scene Belcore+ Adina+ Dulcanara+ Giannetta met burgers |
tenor+ sopraan+ bas+ sopraan soubrette |
2.25 |
|
|
2.01 |
Chantons chantons* |
kwartet/koor |
scene Belcore+ Adina+ Dulcanara+ Giannetta met burgers |
tenor+ sopraan+ bas+ sopraan soubrette |
2.25 |
|
|
2.01 |
Let's sing let's sing* |
kwartet/koor |
scene Belcore+ Adina+ Dulcanara+ Giannetta met burgers |
tenor+ sopraan+ bas+ sopraan soubrette |
2.25 |
|
|
2.02 |
Poiche cantar vi alletta |
trio |
scene Dulcanara+ Belcore+ Giannetti |
bas+ tenor+ sopraan soubrette |
0.46 |
|
|
2.02 |
Da Gesang euch erfreut* |
trio |
scene Dulcanara+ Belcore+ Giannetti |
bas+ tenor+ sopraan soubret |
0.46 |
|
|
2.02 |
Puisque vous aimez chanter* |
trio |
scene Dulcanara+ Belcore+ Giannetti |
bas+ tenor+ sopraan soubret |
0.46 |
|
|
2.02 |
Since you delight in singing* |
trio |
scene Dulcanara+ Belcore+ Giannetti |
bas+ tenor+ sopraan soubret |
0.46 |
|
|
2.03a |
Io son ricco e tu sei bella |
duet |
duetje Bruid Adina+ Dulcamara |
sopraan colleratuur |
4.50 |
|
|
2.03a |
Ich bin reich und du schön* |
duet |
duetje Bruid Adina+ Dulcamara |
sopraan colleratuur |
4.50 |
|
|
2.03a |
Je suis riche et tu belle* |
duet |
duetje Bruid Adina+ Dulcamara |
sopraan colleratuur |
4.50 |
|
|
2.03a |
I am rich and you pretty* |
duet |
duetje Bruid Adina+ Dulcamara |
sopraan colleratuur |
4.50 |
|
|
2.03b |
La Nina gondoliera e il senator |
duet |
duet Dulcamara+ Adina met koor |
bas+ sopraan |
2.34 |
|
|
2.04a |
Silenzio e qua il notario |
trio/koor |
scene Belcore+ Dulcamara+ Adina |
tenor+ bas+ sopraan |
1.00-1.52 |
|
|
2.04a |
Ruhe da ist der Notar* |
trio/koor |
scene Belcore+ Dulcamara+ Adina |
tenor+ bas+ sopraan |
1.00-1.52 |
|
|
2.04a |
Silence le notaire est ici* |
trio/koor |
scene Belcore+ Dulcamara+ Adina |
tenor+ bas+ sopraan |
1.00-1.52 |
|
|
2.04a |
Silence here is the notary* |
trio/koor |
scene Belcore+ Dulcamara+ Adina |
tenor+ bas+ sopraan |
1.00-1.52 |
|
|
2.04b |
Le feste nuziali son piacevoli |
duet |
scene Dulcamara+ Nemorino |
bas+ tenor |
1.40-2.17 |
|
|
2.04b |
Hochzeitsfeiern sind ganz nett* |
duet |
scene Dulcamara+ Nemorino |
bas+ tenor |
1.40-2.17 |
|
|
2.04b |
C'est tres agréable une noce* |
duet |
scene Dulcamara+ Nemorino |
bas+ tenor |
1.40-2.17 |
|
|
2.04b |
Weddings are all very nice* |
duet |
scene Dulcamara+ Nemorino |
bas+ tenor |
1.40-2.17 |
|
|
2.05a |
La donna e un animale stravagante |
duet |
scene Belcore+ Nemorino |
bariton+ tenor |
5.21-8.18 |
|
|
2.05a |
Frauen sind wirklich merkwürdig* |
duet |
scene Belcore+ Nemorino |
bariton+ tenor |
5.21-8.18 |
|
|
2.05a |
La femme est un animal* |
duet |
scene Belcore+ Nemorino |
bariton+ tenor |
5.21-8.18 |
|
|
2.05a |
Woman ara strange* |
duet |
scene Belcore+ Nemorino |
bariton+ tenor |
5.21-8.18 |
|
|
2.05b |
Ai perigli della guerra |
duet |
scene Nemorino + Belcore |
tenor+ bariton |
5.09 |
|
|
2.06a |
Venti scudi |
duet |
duet Nemorino+ Belcore |
tenor lyrisch+ bariton |
21.0 |
|
|
2.06a |
Zwanzig scudi* |
duet |
duet Nemorino+ Belcore |
tenor lyrisch+ bariton |
2.10 |
|
|
2.06a |
Vingt écus* |
duet |
duet Nemorino+ Belcore |
tenor lyrisch+ bariton |
2.10 |
|
|
2.06a |
Twenty scudi* |
duet |
duet Nemorino+ Belcore |
tenor lyrisch+ bariton |
2.10 |
|
|
2.06b |
Qua la mano giovinotto |
duet |
aria/duet Belcore+ Nemorino |
bariton+ tenor |
1.56 |
|
|
2.06b |
Her die Hand junger Mann* |
duet |
aria/duet Belcore+ Nemorino |
bariton+ tenor |
1.56 |
|
|
2.06b |
La main jeune homme* |
duet |
aria/duet Belcore+ Nemorino |
bariton+ tenor |
1.56 |
|
|
2.06b |
Give me your hand young man* |
duet |
aria/duet Belcore+ Nemorino |
bariton+ tenor |
1.56 |
|
|
2.07 |
Saria possibile |
solo/koor |
scene Giannetta met meisjes |
sopraan soubrette |
4.11-4.25 |
|
|
2.07 |
Ist es möglich* |
solo/koor |
scene Giannetta met meisjes |
sopraan soubrette |
4.11-4.25 |
|
|
2.07 |
Est il possible* |
solo/koor |
scene Giannetta met meisjes |
sopraan soubrette |
4.11-4.25 |
|
|
2.07 |
Could it be possible* |
solo/koor |
scene Giannetta met meisjes |
sopraan soubrette |
4.11-4.25 |
|
|
2.08 |
Dell elisir mirabile |
kwartet |
kwartet Nemorino+ Giannetta+ Adina+ Dulcamara |
tenor+ sopraan soubret+ sopraan+ bas |
4.17-6.44 |
|
|
2.08 |
Vom wundersamen Trank* |
kwartet |
kwartet Nemorino+ Giannetta+ Adina+ Dulcamara |
tenor+ sopraan soubret+ sopraan+ bas |
4.17-6.44 |
|
|
2.08 |
Du merveilleux elixir* |
kwartet |
kwartet Nemorino+ Giannetta+ Adina+ Dulcamara |
tenor+ sopraan soubret+ sopraan+ bas |
4.17-6.44 |
|
|
2.08 |
I have drunk great quantities of elixir* |
kwartet |
kwartet Nemorino+ Giannetta+ Adina+ Dulcamara |
tenor+ sopraan soubret+ sopraan+ bas |
4.17-6.44 |
|
|
2.09 |
Come sen va contento |
duet |
scene Adina+ Dulcamara |
sopraan soubrette+ bas |
1.06 |
|
|
2.09 |
Wie zufrieden er ist* |
duet |
scene Adina+ Dulcamara |
sopraan soubrette+ bas |
1.06 |
|
|
2.09 |
Comme ils'en va content* |
duet |
scene Adina+ Dulcamara |
sopraan soubrette+ bas |
1.06 |
|
|
2.09 |
How contendly he goes off* |
duet |
scene Adina+ Dulcamara |
sopraan soubrette+ bas |
1.06 |
|
|
2.10 |
Quanto amore ed io spietata |
duet |
duet'Dulcamara+ Adina |
bas+ sopraan soubret |
3.54 |
|
|
2.10 |
Soviel Liebe und ich grausame* |
duet |
duet'Dulcamara+ Adina |
bas+ sopraan soubret |
3.54 |
|
|
2.10 |
Quel amour et je le dédaignais* |
duet |
duet'Dulcamara+ Adina |
bas+ sopraan soubret |
3.54 |
|
|
2.10 |
Such love and I was pitiless* |
duet |
duet'Dulcamara+ Adina |
bas+ sopraan soubret |
3.54 |
|
|
2.11 |
Una tenera occhiatina |
duet |
duet Adina+ Dulcamara |
sopraan colleratuur |
2.30 |
|
|
2.11 |
Ein zärtliche Blick* |
duet |
duet Adina+ Dulcamara |
sopraan colleratuur |
2.30 |
|
|
2.11 |
Une tendre oeillade* |
duet |
duet Adina+ Dulcamara |
sopraan colleratuur |
2.30 |
|
|
2.11 |
A tender glance* |
duet |
duet Adina+ Dulcamara |
sopraan colleratuur |
2.30 |
|
|
2.12 |
Una furtiva lagrima |
solo |
aria Nemorino |
tenor lyrisch |
4.17-4.59 |
|
|
2.12 |
Heimlich aus ihrem Augen=Verstohlene Träne* |
solo |
aria Nemorino |
tenor lyrisch |
4.17-4.59 |
|
|
2.12 |
Une larme furtive* |
solo |
aria Nemorino |
tenor lyrisch |
4.17-4.59 |
|
|
2.12 |
A furtive tear* |
solo |
aria Nemorino |
tenor lyrisch |
4.17-4.59 |
|
|
2.13 |
Eccola oh qual le accresce |
duet |
scene Nemorino+ Adina |
tenor+ sopraan |
1.11 |
|
|
2.13 |
Da ist sie oh wie die keimende Liebe* |
duet |
scene Nemorino+ Adina |
tenor+ sopraan |
1.11 |
|
|
2.13 |
La voici comme l'amour naissant* |
duet |
scene Nemorino+ Adina |
tenor+ sopraan |
1.11 |
|
|
2.13 |
Here she is how dawning love* |
duet |
scene Nemorino+ Adina |
tenor+ sopraan |
1.11 |
|
|
2.14 |
Prendi per me sei libero |
solo |
aria Adina |
sopraan colleratuur |
3.40 |
|
|
2.14 |
Nimm durch mich bist du frei* |
solo |
aria Adina |
sopraan colleratuur |
3.40 |
|
|
2.14 |
Recois de moi ta libert‚* |
solo |
aria Adina |
sopraan colleratuur |
3.40 |
|
|
2.14 |
Take it I have freed you* |
solo |
aria Adina |
sopraan colleratuur |
3.40 |
|
|
2.15 |
Alto fronte |
duet |
scene Belcore+ Adina |
tenor+ sopraan |
1.30-1.54 |
|
|
2.15 |
Halt stillgestanden* |
duet |
scene Belcore+ Adina |
tenor+ sopraan |
1.30-1.54 |
|
|
2.15 |
Halte face* |
duet |
scene Belcore+ Adina |
tenor+ sopraan |
1.30-1.54 |
|
|
2.15 |
Halt eyes front* |
duet |
scene Belcore+ Adina |
tenor+ sopraan |
1.30-1.54 |
|
|
2.16 |
Ei corregge ogni difetto |
solo/kwartet |
aria Dulcamara m.samenzang Adina+ Nemorino+ Belcore |
bas+ sopraan+ tenor+ bariton |
2.13-2.55 |
|
|
2.16 |
Er heilt alle gebrechen* |
solo/kwartet |
aria Dulcamara m.samenzang Adina+ Nemorino+ Belcore |
bas+ sopraan+ tenor+ bariton |
2.13-2.55 |
|
|
2.16 |
Il corrige tous les défauts* |
solo/kwartet |
aria Dulcamara m.samenzang Adina+ Nemorino+ Belcore |
bas+ sopraan+ tenor+ bariton |
2.13-2.55 |
|
|
2.16 |
It corrects every defect* |
solo/kwartet |
aria Dulcamara m.samenzang Adina+ Nemorino+ Belcore |
bas+ sopraan+ tenor+ bariton |
2.13-2.55 |
|
|
|
|
|
|
|
|
|
Enfant et Sortileges |
1.. |
Ca m'est egal! Hourah! Je suis libre |
solo |
scene Kind |
mezzo of sopraan lyrisch |
|
|
Ravel Maurice |
1.. |
Nous voila débarrasses a jamais de cet enfant |
kwartet |
Fauteuil+ Bank+ Canape+ Poef+ Stoel |
bas+ ? |
|
|
|
1.. |
J'ai d'affreuses douleurs de ventre |
solo |
aria Staande Klok |
bariton |
|
|
|
1.. |
Keng-ca-fou Mah-Jong (quasi chinees) |
solo |
scene Kopje |
mezzo of alt |
|
|
|
1.. |
Je rechauffre les bons mais je brûle méchants |
solo |
aria Vuur |
sopraan colleratuur |
|
|
|
1.. |
Ah! c'est elle |
solo |
aria Kind |
sopraan lyrisch of mezzo |
|
|
|
1.. |
Toi le coeur de la rose |
solo |
aria Kind |
mezzo of sopraan lyrisch |
|
|
|
1.. |
Rends la moi ! |
koor |
van dieren |
nvt |
|
|
|
1.. |
Ils s'aiment ils m'oublient. Je suis seul! |
solo |
klaagzang Kind |
mezzo of sopraan lyrisch |
|
|
|
1.. |
Il est bon l'enfant il est sage |
koor |
van dieren |
nvt |
|
|
|
1.. |
How's our mug?..Rotten |
duet |
tweespraak Kopje+ Theepot |
mezzo of alt+ tenor buffo |
|
|
|
1.. |
I punch Sir I punch your nose |
solo |
scene Theepot |
tenor buffo |
|
|
|
1... |
Viens dans mes bras. Jesaurai te défendre! |
duet |
liefdesduet Kind+ Droomwezen |
mezzo of sopraan lyrisch+ ? |
|
|
|
|
|
|
|
|
|
|
Enfant Prodique 2 |
? |
A chaque saison ramenée |
? |
|
? |
|
|
Debussy Claude |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Enrico di Borgogna |
? |
Care aurette |
solo |
? |
? |
|
|
Donizetti Gaetano |
? |
Del leone di Borgogna |
solo |
? |
? |
|
|
|
|
|
|
|
|
|
|
Entführung aus Serail 1 |
1.01 |
Ouverture |
orkest |
|
nvt |
4.11-5.34 |
|
Mozart W A |
1.02 |
Hier soll ich dich denn sehen |
solo |
openingsaria Belmonte |
tenor lyrisch |
2.40 |
|
|
1.03 |
Aber wie soll ich in Palast kommen |
solo |
scene Belmonte |
tenor |
0.07 |
|
|
1.04 |
Wer ein Liebchen hat gefunden |
duet |
aria Osmin+ Belmonte |
bas |
6.32 |
|
|
1.05 |
Kónnt ich mir noch so eine Schurken |
duet |
scene Osmin+ Pedrillo |
bas+ tenor |
0.46 |
|
|
1.06 |
Solche hergelaufne Laffen |
solo |
coll.aria Osmin |
bas |
5.00 |
|
|
1.07 |
Geh nur verwünschter Aufpasser |
duet |
scene Pedrillo+ Belmonte |
tenor+ tenor |
1.28 |
|
|
1.08 |
Konstanze dich wieder zu sehen |
solo |
aria Belmonte |
tenor lyrisch |
4.58-5.30 |
|
|
1.09 |
O wie ängstlich o wie feurig |
solo |
aria Belmonte |
tenor lyrisch |
|
|
|
1.10 |
Geschwind geschwind auf die Seite |
duet |
scene Pedrillo+ Belmonte |
tenor+ tenor |
0.04 |
|
|
1.11 |
Singt dem grossen Bassa Lieder |
koor |
Janitsarenkoor 1 |
nvt |
1.40 |
|
|
1.12 |
Immer noch traurig geliebte Konstanze |
duet |
scene Selim+ Konstanze |
bas+ sopraan |
0.50 |
|
|
1.13 |
Ach ich liebte war so glücklich |
solo |
aria Konstanze |
sopraan colleratuur |
5.13 |
|
|
1.14 |
Ihre Schmerz ihre tränen |
trio |
scene Pedrillo+ Belmointe + Selim |
tenor+ tenor+ bas |
1.34 |
|
|
1.15 |
Marsch marsch trollt euch fort |
trio |
Osmin+ Belmonte+ Pedrillo |
bas+ tenor lyrisch+ tenor buffo |
2.10 |
|
|
2.01 |
O des Zankens Befehlens |
duet |
scene Osmin+ Blonde |
bas+ sopraan |
0.27 |
|
|
2.02 |
Durch Zartlichkeit und Schmeicheln |
solo |
aria Blonde |
sopraan soubrette |
3.15-4.37 |
|
|
2.03 |
Zärtlichkeit Schmeicheln! |
duet |
scene Osmin+ Blonde |
bas+ sopraan |
0.46 |
|
|
2.04 |
Ich gehe doch rate ich dir |
duet |
duet Blonde+ Osmin |
sopraan soubrette+ bas |
3.33 |
|
|
2.05 |
Welche Wechsel herrscht |
solo |
aria Konstanze |
sopraan |
2.01 |
|
|
2.06 |
Traurigkeit ward mir zum Lose |
solo |
aria Konstanze |
sopraan colleratuur |
7.15 |
|
|
2.07 |
Nun Konstanze denkst du meinem Begehren |
duet |
scene Konstanze+ Selim |
sopraan+ bas |
0.40 |
|
|
2.08 |
Che pur aspro il cuore * |
solo |
aria Konstanze |
sopraan colleratuur |
8.35-9.27 |
|
|
2.08 |
Tutte le torture* |
solo |
aria = Martern aller Arten? |
sopraan |
8.26-12.16 |
|
|
2.08 |
Martern aller Arten |
solo |
aria Konstanze |
sopraan colleratuur |
8.35-9.27 |
|
|
2.08 |
Tutte le torture |
solo |
aria = Martern aller Arten? |
sopraan |
8.26-12.16 |
|
|
2.09 |
Ist das ein Traum |
solo |
scene Selim |
bas |
2.29 |
|
|
2.10 |
Bst bst Blondchen |
duet |
scene Pedrillo+ Blondchen |
tenor+ sopraan |
0.35 |
|
|
2.11 |
Ah! che gioia che piacer* |
solo |
aria Blondchen |
sopraan soubrette |
2.32-3.00 |
|
|
2.11 |
Welche Wonne welche Lust |
solo |
aria Blondchen |
sopraan soubrette |
3.32-3.00 |
|
|
2.12 |
Ah! dass es schon vorbei wäre |
solo |
scene pedrillo |
tenor |
0.17 |
|
|
2.13 |
Frisch zum Kampfe |
solo |
aria Pedrillo |
tenor buffo |
3.06-3.22 |
|
|
2.14 |
Ha! geht's hier so lustig |
duet |
scene Pedrillo+ Osmin |
tenor+ bas |
1.00 |
|
|
2.15 |
Vivat Bacchus! Bacchus lebe! |
duet |
aria Osmin+ Pedrillo |
bas |
2.12 |
|
|
2.15 |
Drinklied * |
duet |
aria Osmin+ Pedrillo |
bas |
2.12 |
|
|
2.16 |
Wein Wein ist ein schönes Getränk |
duet |
scene Pedrillo+ Osmin |
tenor+ bas |
1.29 |
|
|
2.17 |
Wenn der Freude Tranen fliessen |
solo |
aria Belmonte |
tenor lyrisch |
4.13-6.32 |
|
|
2.18 |
Ach Belmonte! Ach mein Leben! |
kwartet |
Belmonte+ Konstanze+ Pedrillo+ Blonde |
tenor lyr+sopr coller+tenor buf+soprsoubr |
10.21 |
|
|
3.. |
O komm mein liebes Becherlein |
solo |
vertelling zie Im Mohrenland |
bariton |
|
|
|
3.01 |
Ich baue ganz auf deiner Starke |
solo |
aria Belmonte |
tenor lyrisch |
5.45-6.20 |
|
|
3.02 |
Alles liegt auf dem Ohr |
duet |
scene Pedrillo+ Blondchen |
tenor+ sopraan |
0.23 |
|
|
3.03 |
Im Mohrenland gefangen war |
solo |
serenade Pedrillo |
tenor buffo |
2.40 |
|
|
3.04 |
Sie macht auf Herr |
kwartet |
scene Pedrillo+ Belmonte+ Konstanze+ Blonde |
tenor+ tenor+ sopraan+ sopraan |
0.43 |
|
|
3.05 |
Ha! wie will ich triumphieren |
solo |
aria Osmin |
bas |
3.20 |
|
|
3.06 |
Was gibt's Osmin |
kwartet |
scene Osmin+ Konstanze+ Belmonte+ Selim |
bas+ sopraan+ tenor+ bas |
2.17 |
|
|
3.07 |
Welch ein Geschick |
duet |
recitat. Belmonte+ Konstanze tbv duet Meinetwegen |
tenor lyrisch+ sopraan colleratuur |
2.19 |
|
|
3.08 |
Meinetwegen sollst du sterben |
duet |
duet Belmonte+ Konstanze |
tenor lyrisch+ sopraan colleratuur |
6.39 |
|
|
3.09 |
Nun sklave elender sklave |
kwintet |
scene Belmonte+ Konstanze+ Pedrillo+ Osmin+ Selim |
tenor+ sopraan+ tenor+ bas+ bas |
2.11 |
|
|
3.10 |
Nie werd ich deine Huld verkennen |
kwintet |
Belmonte+ Konstanze+ Pedrillo+ Blonde+ Osmin |
tenor+sopr collerat+tenor buf+sopr soubr+bas |
4.02-5.13 |
|
|
3.11 |
Bassa Selim lebe lange |
koor |
Janitsarenkoor |
nvt |
1.25 |
|
|
|
|
|
|
|
|
|
Ernani |
? |
Toast |
koor |
|
nvt |
4.24 |
|
Verdi Giuseppe |
1.. |
Come rugiada al cespite |
solo |
aria Ernani |
tenor |
4.20 |
|
|
1.. |
L'offeso onor |
solo |
aria Silvio |
bas |
3.14 |
|
|
1.01 |
Ouverture |
orkest |
|
nvt |
3.33 |
|
|
1.02 |
Evviva beviam |
koor |
opening |
nvt |
3.45 |
|
|
1.03 |
Mercé diletti amici |
solo |
aria Ernani |
tenor |
1.00 |
|
|
1.04a |
Dell esiglio nel dolore |
solo |
aria Ernani |
tenor |
2.20-3.36 |
|
|
1.04b |
O tu che l'alma adoro |
solo |
stretta Ernani |
tenor |
2.17-2.28 |
|
|
1.05 |
Surta e la notte |
solo |
recitatief Elvira =Ernani involami |
sopraan dramatisch |
2.15 |
|
|
1.06 |
Ernani involami |
solo |
aria Elvira =Surta e la notte |
sopraan dramatisch |
2.52-6.55 |
|
|
1.06 |
Ernani rette mich * |
solo |
aria Elvira =Surta e la notte |
sopraan dramatisch |
2.52-6.55 |
|
|
1.07 |
Tutto sprezzo che d'Ernani |
solo |
aria Donna Elvira |
sopraan |
5.10 |
|
|
1.08 |
Qui mi trasse amor possente |
? |
? |
? |
1.15 |
|
|
1.09 |
Da quel di che t'ho veduta |
duet |
duet Don Carlos+ Elvira |
bariton+ sopraan |
4.15-4.41 |
|
|
1.10 |
Tu se Ernani |
? |
? |
? |
3.00 |
|
|
1.11 |
Che mai veggio infelice |
solo |
recitatief bij aria Infelice e tuo credevi |
bas |
6.39-8.06 |
|
|
1.12 |
Infelice e tuo credevi |
solo |
aria Silva |
bas |
2.23-3.10 |
|
|
1.13 |
Vedi come il buon vegliardo |
? |
? |
? |
7.37 |
|
|
2.. |
O di il voto o grande Iddio |
solo |
aria Ernani |
tenor |
|
|
|
2.. |
Sprezzo la vita ne piu m'aletta |
solo |
aria Ernani |
tenor |
|
|
|
2.01 |
Esultiamo letizia ne inondi |
samenzang |
hele cast |
? |
5.20 |
|
|
2.02 |
Oro quant oro ogne avido |
solo |
aria Ernani |
tenor |
5.18 |
|
|
2.03 |
Tu per fide |
solo |
aria Ernani |
tenor |
|
|
|
2.04 |
Ah! morir potessi adesso |
duet |
duet Ernani+ Elvira |
tenor+ sopraan |
3.22 |
|
|
2.05 |
No vendetta piu tremenda |
trio |
trio Silvio+ Elvira+ Ernani |
bas+ sopraan+ tenor |
2.00 |
|
|
2.06 |
Cugino a che munito |
duet |
duet Carlos+ Silvio |
bariton+ bas |
3.16 |
|
|
2.07 |
Lo vedremo o veglia audace |
trio |
ensemble Carlos+ Elvira+ Silva |
bariton+ sopraan+ bas |
5.27 |
|
|
2.08 |
Fu esplorata del castello |
koor |
|
geen |
|
|
|
2.09 |
Vieni meco soldi rosa |
solo |
aria Don Carlos |
bariton |
4.22 |
|
|
2.10 |
A te scegli seguimi |
duet |
duet Silva+ Ernani |
bas+ tenor |
5.50 |
|
|
3.01 |
E questo il loco |
duet |
duet Carlos+ Riccardo |
bariton+ tenor |
3.20 |
|
|
3.02 |
Gran Dio! |
solo |
aria Don Carlos |
bariton |
1.10 |
|
|
3.03 |
O dei verd'anni miei |
solo |
aria Don Carlos |
bariton |
4.29 |
|
|
3.04 |
Un patto un giuramento |
samenzang |
hele cast |
tenor+ bariton+ bas+ sopraan |
5.51 |
|
|
3.05 |
Si ridesti il leon di Castila |
koor |
koor samenzweerders |
nvt |
|
|
|
3.06 |
O somma Carlo piu del tuo nome |
trio |
trio Elvira+ Ernani+ Carlos |
sopraan dramatisch |
4.15 |
|
|
4.01 |
Oh! come felici gioiscon gli sposi |
samenzang |
hele cast |
sopraan+ tenor+ bas+ bariton |
7.18 |
|
|
4.02 |
Tutto ora tace intorno |
solo |
aria Ernani |
tenor |
13.03 |
|
|
4.03 |
Ferma crudele |
trio |
slottrio Silva+ Ernani+ Elvira |
bas+ tenor+ sopraan |
|
|
|
|
|
|
|
|
|
|
Eugen Onegin |
? |
Wohin seid ihr entschwunden?* |
solo |
aria Lenski |
tenor |
|
|
Tsjaikovski Peter |
? |
Und sei's mein Untergang* |
solo |
briefscene Tatjana |
sopraan |
|
|
|
? |
Sie schrieben mir* |
solo |
aria Eugen Onegin |
bariton |
|
|
|
? |
Ein Jeder kennt die Liebe auf Erden* |
solo |
aria vorst/prins Gremin |
bas |
4.51 |
|
|
? |
Was führte Sie in unsere Einsamkeit* |
solo |
|
sopraan |
|
|
|
? |
Vy mne pisali |
? |
? |
? |
|
|
|
? |
Uzel ta samaja Tatjana |
? |
? |
? |
|
|
|
? |
Ik houd van je. |
solo |
? |
? |
|
|
|
? |
Polonaise |
orkest |
|
nvt |
4.14-4.42 |
|
|
? |
Kuda kuda vi udalilis |
solo |
|
tenor |
|
|
|
? |
Waar ben je heengegaan? |
solo |
aria Lenski |
tenor |
|
|
|
? |
Briefscene |
solo |
briefscene Tatjana |
sopraan |
|
|
|
? |
Sie schrieben mir |
solo |
aria Eugen Onegin |
bariton |
|
|
|
? |
Ein Jeder kennt die Liebe auf Erde |
solo |
aria vorst/prins Gremin |
bas |
4.51 |
|
|
? |
Was fuhrte Sie in unsere Einsamkeit |
solo |
|
sopraan |
|
|
|
1.. |
Koor 1e acte |
koor |
|
nvt |
4.49 |
|
|
1.01 |
Ouverture |
orkest |
|
nvt |
|
|
|
1-1 |
Ja nye sposobnak grusti tomnoy |
solo |
aria Olga |
contra alt |
|
|
|
1-2 |
Ruskai pogibnu =Briefscene* |
solo |
aria Tatiana |
sopraan |
|
|
|
1-3 |
Kogda bi zhizn domashnim krugom |
solo |
aria Eugen Onegin |
bariton |
|
|
|
2.. |
Lyubvi vsy vozrasti pokorni |
solo |
Prins |
bas |
5.48-6.05 |
|
|
2.. |
Wals + koor |
orkest/koor |
|
nvt |
6.08 |
|
|
2-1 |
Kakoi pre krasnii etot den |
solo |
aria Monsieur Triquet |
tenor |
|
|
|
3.. |
Koor 3e acte |
koor |
|
nvt |
3.00 |
|
|
3-1 |
Lyubvi fse vozrasti pokorni |
solo |
aria Prins Gremin |
bas |
|
|
|
|
|
|
|
|
|
|
Euryanthe |
1.. |
Dem Frieden Heil! |
koor |
|
nvt |
|
|
Weber Carl Maria |
1.. |
Unter bluh'nden Mandelbaumen |
solo |
romance Adolar |
tenor held |
|
|
|
1.. |
Ich bau auf Gott und meine Euryanth |
solo |
aria Adolar |
tenor held |
|
|
|
1.. |
Glochlein im Thale |
solo |
cavatine Euryanthe |
sopraan lyrisch |
|
|
|
1.. |
O mein Leid ist unermessen |
solo |
aria Eglantine |
mezzo of sopraan dramatisch |
|
|
|
1.. |
Unter ist mein Stern gegangen |
duet |
duet Euryanthe+ Eglantine |
sopraan lyrisch+ mezzo |
|
|
|
1.. |
Bethorte! die an meine Liebe glaubt! |
solo |
aria Eglantine |
mezzo of sopraan dramatisch |
|
|
|
1.01 |
Ouverture |
orkest |
|
nvt |
|
|
|
2.. |
Wo berg'ich mich? |
solo |
recitatief Lysiarth by aria Schweig glüh'nden Sehn |
bariton held |
|
|
|
2.. |
Schweig glüh'nden Sehnens wilde Triebe |
solo |
aria Lysiarth zie recit. Wo berg ich |
bariton held |
|
|
|
2.. |
Komm denn unser Leid zu rachen |
duet |
duet Lysiarth+ Eglantine |
bariton held+ mezzo |
|
|
|
2.. |
Hin nimm die Seele mien |
duet |
duet Adolar+ Euryanthe |
tenor held+ sopraan lyrisch |
|
|
|
2.. |
Wehen mir Lufte Ruh |
solo |
aria Adolar |
tenor held |
|
|
|
3.. |
Wie liebt'ich dich |
duet |
duet Adolar+ Euryanthe |
tenor held+ sopraan lyrisch |
|
|
|
3.. |
Schirmende Engelschaar |
solo |
scene Adolar |
tenor held |
|
|
|
3.. |
So bin ich nun verlassen |
solo |
scene Euryanthe |
sopraan lyrisch |
|
|
|
3.. |
Hier dicht am Quell |
solo |
cavatine Euryanthe |
sopraan lyrisch |
|
|
|
3.. |
Die Thale dampfen |
koor |
jagerskoor |
nvt |
|
|
|
3.. |
Lasst mich hier in Ruh erblassen |
duet |
duet Euryanthe+ Koning |
sopraan lyrisch+ bas |
|
|
|
3.. |
Zu ihn zu ihn o weilet nicht! |
solo |
aria Euryanthe |
sopraan lyrisch |
|
|
|
|
|
|
|
|
|
|
Evangeliemann der |
? |
Selig sind die Verfolgung leiden |
duet |
duo |
tenor+ alt |
|
|
Kienzl Wilhelm |
? |
Johannes schläft |
solo |
|
alt |
|
|
|
? |
O schöne Jugendtage |
solo |
|
alt |
|