|
OPERANAAM-COMPONIST |
ACTENR |
ARIA NAMEN |
ARIA SOORT |
TOELICHTING |
ZANGSTEM |
TIJDSDUUR |
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Dame Blanche |
1.. |
Ah! quel plaisir d'etre soldat |
solo |
aria George |
tenor lyrisch |
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Boieldieu Francois |
1.. |
D'ici voyez ce beau domaine |
solo |
ballade Jenny |
mezzo |
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1.. |
Oh! le brave militaire |
duet |
duet Jenny+ George Brown |
mezzo+ tenor lyrisch |
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1.01 |
Ouverture |
orkest |
|
nvt |
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2.. |
Komm o holde Dame* |
solo |
cavatine George |
tenor lyrisch |
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2.. |
Viens gentille Dame |
solo |
cavatine George |
tenor lyrisch |
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2.. |
Nous quittons nos travaux champetres |
koor |
koor der pachters |
nvt |
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2.. |
Toujours soumis a ma puissance |
duet |
duet Anna+ George |
sopraan+ tenor lyrisch |
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3.. |
Comme au beaux jours de mon jeune âge |
solo |
aria Anna |
sopraan |
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Damnation de Faust |
? |
Invocation a la nature |
solo |
|
tenor |
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Berlioz Hector |
? |
Ronde des paysans |
koor/solo |
|
tenor |
4.29 |
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? |
Rackoczy mars* |
orkest |
|
geen |
4.22 |
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? |
Maintenant chantons..devant la maison |
solo |
aria Mephisto |
bariton |
2.16 |
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1.. |
Le vieil hiver a fait place au printemps |
solo |
aria Faust |
tenor |
6.23 |
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2.. |
Sans regret j'ai quitte les riantes campagnes |
solo |
aria Faust |
tenor |
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2.. |
Une puce gentille |
solo |
aria Mephistophèles |
bariton |
1.24 |
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2.. |
Voici des roses |
solo |
lied Mephistophèles |
bariton |
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2.. |
Danse des Sylphes |
solo |
aria Mephistophèles |
bariton |
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2-3 |
Certain rate dans une cuisine |
solo |
aria Brander |
bas |
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3.. |
Merci doux crepuscule |
solo |
aria Faust |
tenor |
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3.. |
Autrefois un roi de Thule |
solo |
aria Marguerite |
mezzo |
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3.. |
Devant la maison de celui qui t'adore |
solo |
serenade Mephistophèles |
bariton |
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3.. |
Ange adore dont la celeste image |
duet |
duet Marguerite+ Faust |
mezzo+ tenor |
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4.. |
D'amour l'ardente flamme |
solo |
aria Marguerite |
mezzo |
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4.. |
Nature immense impenetrable et fiere |
solo |
aria Faust |
tenor |
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Daphne 1 |
? |
O bleib geliebter Tag |
solo |
monoloog |
sopraan |
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Strauss Richard |
? |
Ich komme grünende Brüder |
solo |
slotscene |
sopraan |
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? |
Götter Brüder im hohen Olympos |
solo |
aria Apollo |
tenor |
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? |
O mein Leukippos |
solo |
aria Daphne |
sopraan |
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1.. |
O wie gerne blieb ich bei dir mein Lieber Baum |
solo |
monoloog Daphne |
sopraan lyrisch |
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1.. |
Jeden heiligen Morgen |
solo |
aria Apollo |
tenor held |
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Del Manoja de Rosas |
? |
Madrilean Bonita |
solo |
|
tenor |
2.40 |
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Sorozabal Pablo |
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Demon de |
? |
Jeden Abend |
? |
? |
? |
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Rubinstein Anton |
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Devin du Village 2 |
? |
Quand on sait aimer et plaire |
solo |
|
tenor |
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Rousseau Jean |
1.. |
J'ai perdu tout mon bonheur |
solo |
aria Colette |
sopraan |
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1.. |
Si des galants de la ville |
solo |
aria Colette |
sopraan |
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1.. |
L'amour croit s'il inquiète |
solo |
aria Devin=tovenaar |
bas |
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1.. |
Non Colette n'est point trompeuse |
solo |
aria Colin |
tenor |
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1.. |
Je vais revoir ma charmante maitresse |
solo |
aria Colin |
tenor |
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1.. |
Tant qu'a mon Colin j'ai su plaire |
duet |
duet Colin+ Colette |
tenor+ sopraan |
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1.. |
A jamais Colin t'engage |
duet |
trouwduet Colin+ Colette |
tenor+ sopraan |
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1.. |
Dans ma cabane obscure |
solo |
romance Colin |
tenor |
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1.. |
L'art a l'amour |
solo |
chanson tovenaar Devin |
bas |
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1.. |
Allons danser sous les ormeaux |
solo |
chanson Colette |
sopraan |
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Dialogues Carmelites |
1.. |
Soeur Blanche de l'Agonie du Christ |
solo |
lied Blanche |
sopraan |
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Poulenc Francis |
2.. |
Ave Maria |
samenzang |
zusters |
nvt |
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3.. |
Salve Regina |
samenzang |
zusters naar het schavot |
nvt |
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Dido and Aeneas 1 |
1.01 |
Ouverture |
orkest |
|
geen |
1.56 |
|
Purcell Henry |
1.02 |
Schüttle die Wolke* |
solo |
aria Belinda |
sopraan |
1.05 |
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1.02 |
Chassez ce nuage* |
solo |
aria Belinda |
sopraan |
1.05 |
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1.02 |
Shake the cloud from off your brow |
solo |
aria Belinda |
sopraan |
1.05 |
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1.03 |
Ach Belinda ich werde heimgesucht* |
solo |
aria Dido |
sopraan of mezzo |
3.36 |
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1.03 |
Ah Belinda je suis tenaillée* |
solo |
aria Dido |
sopraan of mezzo |
3.36 |
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1.03 |
Ah! Belinda I am prest |
solo |
aria Dido |
sopraan of mezzo |
3.36 |
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1.04 |
Es wächts der Kummer* |
duet |
duet Belinda+ Dido |
sopraan+ sopraan |
0.45 |
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1.04 |
La peine s'accroit* |
duet |
duet Belinda+ Dido |
sopraan+ sopraan |
0.45 |
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1.04 |
Grief increases by concealing |
duet |
duet Belinda+ Dido |
sopraan+ sopraan |
0.45 |
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1.05 |
Wenn Fürsten sich vereinen* |
koor |
|
geen |
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1.05 |
Quand les monarques s'unissent* |
koor |
|
geen |
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1.05 |
When monarchs unite |
koor |
|
geen |
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1.06 |
Woraus kann nur so viel Tugend* |
duet |
duet Dido + Belinda |
sopraan+ sopraan |
1.54 |
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1.06 |
D'ou peut jaillir tant de vertu* |
duet |
duet Dido + Belinda |
sopraan+ sopraan |
1.54 |
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1.06 |
Whence could so much virtue spring |
duet |
duet Dido + Belinda |
sopraan+ sopraan |
1.54 |
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1.07a |
Fürchtet nicht dass Gefahren* |
solo/koor |
Belinda met koor |
sopraan |
1.33 |
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1.07a |
Ne craignez pas qu'il s'ensuive* |
solo/koor |
Belinda met koor |
sopraan |
1.33 |
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1.07a |
Fear no danger to ensue |
solo/koor |
Belinda met koor |
sopraan |
1.33 |
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1.07b |
Bask dance |
orkest |
dans |
geen |
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1.08 |
Seht euer königlicher Gast* |
duet |
duet Belinda+ Aeneas |
sopraan+ bariton |
1.10 |
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1.08 |
Regardez votre hote royal* |
duet |
duet Belinda+ Aeneas |
sopraan+ bariton |
1.10 |
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1.08 |
See our royal guest appears |
duet |
duet Belinda+ Aeneas |
sopraan+ bariton |
1.10 |
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1.09 |
Cupido nur schleudert den Pfeil* |
koor |
|
geen |
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1.09 |
Cupidon ne fait que lancer la fleche* |
koor |
|
geen |
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1.09 |
Cupid only throws the dart |
koor |
|
geen |
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1.10 |
Wenn nicht um meinet* |
solo |
aria Aeneas |
bariton |
2.14 |
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1.10 |
Sinon pour le mien* |
solo |
aria Aeneas |
bariton |
2.14 |
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1.10 |
If not for mine for Empire's sake |
solo |
aria Aeneas |
bariton |
2.14 |
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1.11 |
Vollend o Liebe deinen Sieg* |
solo |
aria Belinda |
sopraan |
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1.11 |
Amour poursuis ta conquete* |
solo |
aria Belinda |
sopraan |
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1.11 |
Pursue thy conquest love |
solo |
aria Belinda |
sopraan |
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1.12 |
Den Hügeln und Tälern* |
koor |
|
geen |
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1.12 |
Qu'aux collines et ses vallées* |
koor |
|
geen |
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1.12 |
To the hills and the vales |
koor |
|
geen |
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1.13 |
Triumphtanz* |
orkest |
triomf dans |
geen |
1.08 |
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1.13 |
Dance triomphante* |
orkest |
triomf dans |
geen |
1.08 |
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1.13 |
The triumphing dance |
orkest |
triomf dans |
geen |
1.08 |
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2.01 |
Launische Schwestern* |
aria |
pr‚lude voor de heksen door Sorceress |
mezzo |
2.15 |
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|
2.01 |
Soeurs fantasques* |
aria |
pr‚lude voor de heksen door Sorceress |
mezzo |
2.15 |
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|
2.01 |
Wayward sisters you that fright |
aria |
pr‚lude voor de heksen door Sorceress |
mezzo |
2.15 |
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|
2.02 |
Das Böse ist unser Entrücken* |
koor |
|
geen |
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2.02 |
Le mal est notre régal* |
koor |
|
geen |
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2.02 |
Harm's our delight |
koor |
|
geen |
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2.03 |
Die Königin von Karthago |
solo |
aria Sorceress |
mezzo |
1.52 |
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2.03 |
La reine de Carthage* |
solo |
aria Sorceress |
mezzo |
1.52 |
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2.03 |
The Queen of Carthage |
solo |
aria Sorceress |
mezzo |
1.52 |
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2.04 |
Ho ho ho |
koor |
|
geen |
|
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2.05 |
Zugrunde gerichtet vor Sonnenuntergang* |
duet |
scene heks+ tovenares(Sorceress) |
sopraan+ mezzo |
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2.05 |
Ruinée avant le coucher du soleil* |
duet |
scene heks+ tovenares(Sorceress) |
sopraan+ mezzo |
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2.05 |
Ruin'd ere the set of sun |
duet |
scene heks+ tovenares(Sorceress) |
sopraan+ mezzo |
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2.06 |
Doch eh wir dies vollbringen* |
duet |
duet 1e+ 2e heks |
sopraan+ mezzo |
1.10 |
|
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2.06 |
Toutefois avant d'accomplir* |
duet |
duet 1e+ 2e heks |
sopraan+ mezzo |
1.10 |
|
|
2.06 |
But ere we this perform |
duet |
duet 1e+ 2e heks |
sopraan+ mezzo |
1.10 |
|
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2.07 |
In unserer tiefen gewölbten Höhe* |
koor |
|
geen |
|
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2.07 |
Dans notre antre vouté* |
koor |
|
geen |
|
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|
2.07 |
In our deep vaulted cell |
koor |
|
geen |
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2.08 |
Echotanz der Furien* |
orkest |
dans van de geesten |
geen |
2.23 |
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2.08 |
Danse des furies* |
orkest |
dans van de geesten |
geen |
2.23 |
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2.08 |
Echo dance of furies |
orkest |
dans van de geesten |
geen |
2.23 |
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2.09 |
Ritornell* |
orkest |
|
geen |
3.35 |
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2.09 |
Ritournell* |
orkest |
|
geen |
3.35 |
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2.09 |
Ritornelle |
orkest |
|
geen |
3.35 |
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2.10 |
Wir danken euch einsame Täler* |
solo |
aria Belinda |
sopraan |
|
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2.10 |
Grace … ces vallées* |
solo |
aria Belinda |
sopraan |
|
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|
2.10 |
Thanks to these lonesome vales |
solo |
aria Belinda |
sopraan |
|
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2.11 |
Oft besucht sie diesen Berg* |
solo |
aria wacht Dido |
sopraan |
1.55 |
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2.11 |
Elle visite souvent cette montagne* |
solo |
aria wacht Dido |
sopraan |
1.55 |
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|
2.11 |
Oft she visits this loved mountain |
solo |
aria wacht Dido |
sopraan |
1.55 |
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2.12 |
Sieh auf meinem gebogenen Speer* |
duet |
duet Aeneas+ Dido |
bariton+ sopraan |
1.13 |
|
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2.12 |
Voyez sur ma lance arquée* |
duet |
duet Aeneas+ Dido |
bariton+ sopraan |
1.13 |
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2.12 |
Behold upon my bending spear |
duet |
duet Aeneas+ Dido |
bariton+ sopraan |
1.13 |
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|
2.13 |
Schnell zur Stadt* |
solo |
aria Belinda |
sopraan |
|
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2.13 |
Hatez hatez votre retour* |
solo |
aria Belinda |
sopraan |
|
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|
2.13 |
Haste haste to town |
solo |
aria Belinda |
sopraan |
|
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|
2.14 |
Verweile Prinz und höre* |
duet |
duet geest+ Aeneas |
tenor+ bariton |
2.04 |
|
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2.14 |
Reste Prince et écoute* |
duet |
duet geest+ Aeneas |
tenor+ bariton |
2.04 |
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2.14 |
Stay Prince and hear |
duet |
duet geest+ Aeneas |
tenor+ bariton |
2.04 |
|
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2.15 |
Da unser Zauber schnell gewirkt* |
koor |
|
geen |
1.23 |
|
|
2.15 |
Donc puisque notre charme* |
koor |
|
geen |
1.23 |
|
|
2.15 |
Then since our chorus have sped |
koor |
|
geen |
1.23 |
|
|
2.16 |
Tanz der Wälder* |
orkest |
|
geen |
|
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|
2.16 |
Danse des Bosquets* |
orkest |
|
geen |
|
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|
2.16 |
Grove's dance |
orkest |
|
geen |
|
|
|
3.01 |
Kommt herbei Kameraden* |
solo |
aria van a Sailer |
tenor |
2.20 |
|
|
3.01 |
Partons compagnons* |
solo |
aria van a Sailer |
tenor |
2.20 |
|
|
3.01 |
Come away fellow sailors |
solo |
aria van a Sailer |
tenor |
2.20 |
|
|
3.02 |
Tanz der Matrosen* |
orkest |
|
geen |
|
|
|
3.02 |
Danse des Marins* |
orkest |
|
geen |
|
|
|
3.02 |
Sailer's dance |
orkest |
|
geen |
|
|
|
3.03 |
Seht wie Flaggen und Wimpel* |
duet |
duet Sorceress + heks 1 |
mezzo+ sopraan |
1.41 |
|
|
3.03 |
Voyez les drapeaux* |
duet |
duet Sorceress + heks 1 |
mezzo+ sopraan |
1.41 |
|
|
3.03 |
See see the flags |
duet |
duet Sorceress + heks 1 |
mezzo+ sopraan |
1.41 |
|
|
3.04 |
Als nächstes müssen wir* |
solo |
aria Sorceress |
mezzo |
|
|
|
3.04 |
Notre prochain geste* |
solo |
aria Sorceress |
mezzo |
|
|
|
3.04 |
Our next motion |
solo |
aria Sorceress |
mezzo |
|
|
|
3.05 |
Zerstörung ist unser Entzücken* |
koor |
|
geen |
0.31 |
|
|
3.05 |
La destruction est notre délice* |
koor |
|
geen |
0.31 |
|
|
3.05 |
Destruction's our delight |
koor |
|
geen |
0.31 |
|
|
3.06 |
Tanz der Hexen* |
orkest |
|
geen |
1.35 |
|
|
3.06 |
Dance des sorcières* |
orkest |
|
geen |
1.35 |
|
|
3.06 |
Witches dance |
orkest |
|
geen |
1.35 |
|
|
3.07 |
Euer guter Rat ist ganz umsonst* |
solo |
Dido's lament |
sopraan |
3.35 |
|
|
3.07 |
C'est en vain que je vous demande* |
solo |
Dido's lament |
sopraan |
3.35 |
|
|
3.07 |
Your counsel is urged in vain=Dodo's lament* |
solo |
Dido's lament |
sopraan |
3.35 |
|
|
3.08a |
Doch ach den Tod* |
solo/koor |
Dido met koor |
mezzo |
1.19 |
|
|
3.08a |
Mais la mort hélas* |
solo/koor |
Dido met koor |
mezzo |
1.19 |
|
|
3.08a |
But death alas I cannot shun |
solo/koor |
Dido met koor |
mezzo |
1.19 |
|
|
3.08b |
Grosse Seelen zermarten sich selbst* |
koor |
|
geen |
2.02 |
|
|
3.08b |
Les grands esprits conspirent* |
koor |
|
geen |
2.02 |
|
|
3.08b |
Great minds against themselves |
koor |
|
geen |
2.02 |
|
|
3.09 |
Deine Hand Belinda Finsternis* |
solo |
aria Dido |
sopraan |
4.06 |
|
|
3.09 |
Ta main Belinda les ténèbres* |
solo |
aria Dido |
sopraan |
4.06 |
|
|
3.09 |
Thy hand Belinda when I am laid |
solo |
aria Dido |
sopraan |
4.06 |
|
|
3.10 |
Wenn ich in der Erde liege* |
solo |
klacht Dido |
sopraan |
3.46 |
|
|
3.10 |
Lorsque je serai portée en terre* |
solo |
klacht Dido |
sopraan |
3.46 |
|
|
3.10 |
When I am laid in earth |
solo |
klacht Dido |
sopraan |
3.46 |
|
|
3.11 |
Mit hängenden Flügeln kommt* |
koor |
|
geen |
2.54 |
|
|
3.11 |
Venez Cupidons aux ailes pendantes* |
koor |
|
geen |
2.54 |
|
|
3.11 |
With drooping wings Cupids come |
koor |
|
geen |
2.54 |
|
|
3.12 |
Cupic's dance |
orkest |
slotdans van de opera |
geen |
|
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|
Dirna |
? |
Was ist das? |
solo |
|
spreekstem |
4.02 |
|
Hoffmann Ernst |
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|
|
Djamileh |
? |
Il faut pour éteindre ma fievre |
solo |
aria Splendiano |
bariton |
|
|
Bizet Georges |
1.. |
Nour Eddin roi de Lahore est fièr comme Dieu |
solo |
verleidingslied Djamileh |
mezzo |
|
|
|
|
|
|
|
|
|
|
Dokter Faust 2 |
0.01 |
Ouverture |
orkest |
|
geen |
|
|
Busoni Ferruccio |
0.02 |
Von Kind auf hat ein stück |
solo |
intro van de dichter |
spreekstem |
|
|
|
0.03 |
Euerer Magnifizenz Verzeihung |
duet |
scene Wagner+ Faust+ 3 studenten |
bas+ bariton+ 3 tenoren |
|
|
|
0.04 |
Die Sanduhr zeigt die Mitternacht |
solo |
Faust met koor en onbekende stemmen |
bariton |
|
|
|
0.05 |
Fragt sich in welcher Weise |
duet |
scene Faust + Mephistofele |
bariton+ tenor |
|
|
|
0.06 |
Du der du nicht allein der Gott der Milde |
duet |
scene Mephistofele+ soldaat+ luitenant |
tenor+ bariton+ tenor |
|
|
|
1.01 |
Sie nahn der Fürst die Fürstin |
kwintet/koor |
Ceremonimeester+Hertog+Hertogin+Mephistofele+Faust |
bas+ tenor+ sopraan+ tenor+ bariton |
|
|
|
1.02 |
Er ruft mich |
solo |
aria hertogin |
sopraan |
|
|
|
2.01 |
So lang man Jugend hat |
koor |
koor met studenten |
tenoren 4x |
|
|
|
2.02 |
Dagegen eifern die Kirchväter |
samenzang |
scene van 3 leraren met studenten |
tenoren 4x +2 bassen+ bariton |
|
|
|
2.03 |
Nichts ist bewiesen und beweisbar |
solo/koor |
Faust met studenten en koor katholieken en Protestanten |
bariton |
|
|
|
2.04 |
Gemach ihr Herren den Boten |
solo |
aria Mephistofèle |
tenor |
|
|
|
2.05 |
Helena sie sollt'ich schauen |
duet |
scene Faust+ Mephistofèle met studenten |
bariton+ tenor+ 4 tenoren |
|
|
|
2.06 |
Traum der Jugend |
solo |
aria Faust met koor |
bariton |
|
|
|
3.01 |
Ihr Männer und Frauen lasst euch sagen |
solo |
scene Wagner met studenten |
bas+ 4 tenoren |
|
|
|
3.02 |
Das Haus ist mir bekannt |
duet |
Faust+ Hertogin+ koor |
bariton+ sopraan |
|
|
|
3.03 |
Zergehe du Höllenspuk |
solo |
aria Faust |
bariton |
|
|
|
3.04 |
Dir vermach ich mein Leben..ich Faust |
solo |
aria Faust |
bariton |
|
|
|
|
|
|
|
|
|
|
Doktor und Apotheker |
1.. |
O wie herrlich o wie labend |
kwintet |
Stossel+ Sturmwald+ Claudia+ Leonora+ Gotthold |
bas+tenor+ alt+sopraan+tenor lyrisch |
|
Dittersdorf v. Karl |
1.. |
Galenus und Hippocrates sind gegen Stumper |
solo |
aria Stossel |
bas |
|
|
|
1.. |
Mir schlagt das Herz gleich einem Hammer |
trio |
ensemble Claudia+ Stossel+ Sturmwald |
alt+ bas+ tenor |
|
|
|
1.. |
Nun mag der Herr kommen |
solo |
aria Sturmwald |
tenor |
|
|
|
2.. |
Verliebte brauchen keine Zeugen |
solo |
aria Rosalie |
? |
|
|
|
|
|
|
|
|
|
|
Domino Noir le |
1.01 |
Ouverture |
orkest |
|
nvt |
|
|
Auber Daniel |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Don Carlos 1 |
1.. |
Di quale amor di quale quanto |
solo |
aria Elisabeth |
sopraan |
|
|
Verdi Giuseppe |
1.. |
De quels transports poignant et doux |
solo |
aria Elisabeth |
sopraan |
|
|
|
1.01 |
Ouverture |
orkest |
|
nvt |
|
|
|
1.02 |
L'inverno e lungo |
koor |
koor van houthakkers en hun vrouwen |
nvt |
|
|
|
1.02 |
Der Winter ist lang* |
koor |
koor van houthakkers en hun vrouwen |
nvt |
|
|
|
1.02 |
L'hiver est long* |
koor |
koor van houthakkers en hun vrouwen |
nvt |
|
|
|
1.03 |
Qui di freddo e fame si muore |
koor |
koor houthakkers |
nvt |
|
|
|
1.03 |
Alles stirbt in den Wäldern* |
koor |
koor houthakkers |
nvt |
|
|
|
1.03 |
Tout meurt au bois* |
koor |
koor houthakkers |
nvt |
|
|
|
1.04 |
Amici ritorniamo al lavoro |
solo |
scene 1 houthakker |
? |
|
|
|
1.04 |
Freunde beëilen wir uns mit Arbeit* |
solo |
scene 1 houthakker |
? |
|
|
|
1.04 |
Amis harons nous a l'ouvrage* |
solo |
scene 1 houthakker |
? |
|
|
|
1.05 |
Sentite la? La tromba chiama |
solo/koor |
houthakker met koor houthakkers |
? |
|
|
|
1.05 |
Hört ihr? Die Jagdhörner* |
solo/koor |
houthakker met koor houthakkers |
? |
|
|
|
1.05 |
Entendez vous? Les trompes sonnent* |
solo/koor |
houthakker met koor houthakkers |
? |
|
|
|
1.06 |
Amici che mi chiedete |
solo/koor |
scene Elisabetta met koor |
sopraan |
|
|
|
1.06 |
Freunde was verlangt ihr* |
solo/koor |
scene Elisabetta met koor |
sopraan |
|
|
|
1.06 |
Amis que voulez vous* |
solo/koor |
scene Elisabetta met koor |
sopraan |
|
|
|
1.07 |
O signora che Dio vi doni |
koor |
koor houthakkers met vrouwen |
nvt |
|
|
|
1.07 |
Edle Dame gebe Gott* |
koor |
koor houthakkers met vrouwen |
nvt |
|
|
|
1.07 |
Noble dame que Dieu vous donne* |
koor |
koor houthakkers met vrouwen |
nvt |
|
|
|
1.08 |
Fontainebleau! Foresta immensa |
solo |
aria Don Carlos |
tenor |
3.22 |
|
|
1.08 |
Fontainebleau! Wald unermesslich* |
solo |
aria Don Carlos |
tenor |
3.22 |
|
|
1.08 |
Fontainebleau! Foret immense* |
solo |
aria Don Carlos |
tenor |
3.22 |
|
|
1.09 |
Io la vidi ai suo sorriso |
solo |
aria Don Carlos |
tenor |
1.40-3.47 |
|
|
1.09 |
Ich sah sie aus ihrem Lächeln* |
solo |
aria Don Carlos |
tenor |
1.20-3.47 |
|
|
1.09 |
Je l'ai vue dans son sourire* |
solo |
aria Don Carlos |
tenor |
1.20-4.37 |
|
|
1.10 |
Il suon del corno alfin nel bosco |
trio |
scene Don Carlos+ Tebaldo+ Elisabetta |
tenor+ sopraan+ sopraan |
|
|
|
1.10 |
Der Hörnerklang verhallt in tiefen Wald* |
trio |
scene Don Carlos+ Tebaldo+ Elisabetta |
tenor+ sopraan+ sopraan |
|
|
|
1.10 |
Le bruit du cor s'éteint sous l'ombre* |
trio |
scene Don Carlos+ Tebaldo+ Elisabetta |
tenor+ sopraan+ sopraan |
|
|
|
1.11 |
Al mio pie perché |
duet |
scene Carlos + Elisabetta |
tenor+ sopraan |
10.44 |
|
|
1.11 |
Weshalb kniet ihr vor mir* |
duet |
scene Carlos + Elisabetta |
tenor+ sopraan |
10.44 |
|
|
1.11 |
A mes pieds pourquoi* |
duet |
scene Carlos + Elisabetta |
tenor+ sopraan |
10.44 |
|
|
1.12 |
Inni di festa klieti echeggiate |
duet/koor |
scene Carlos+ Elisabetta |
tenor+ sopraan |
|
|
|
1.12 |
Tönt Lieder des Jubels und Freude* |
duet/koor |
scene Carlos+ Elisabetta |
tenor+ sopraan |
|
|
|
1.12 |
O chants de fete et d'allegresse* |
duet/koor |
scene Carlos+ Elisabetta |
tenor+ sopraan |
|
|
|
2.01 |
Carlo il sommo imperatore |
solo/koor |
aria frater met monnikenkoor |
bas |
5.48 |
|
|
2.01 |
Karl der erhabene Herscher* |
solo/koor |
aria frater met monnikenkoor |
bas |
5.48 |
|
|
2.01 |
Charles Quint l'auguste empereur* |
solo/koor |
aria frater met monnikenkoor |
bas |
5.48 |
|
|
2.01 |
Charles the supreme emperor* |
solo/koor |
aria frater met monnikenkoor |
bas |
5.48 |
|
|
2.02 |
Al chiostro di San Giusto |
duet |
scene Carlos+ frater |
tenor+ bas |
|
|
|
2.02 |
Im kloster St.Just* |
duet |
scene Carlos+ frater |
tenor+ bas |
|
|
|
2.02 |
Au convent de Saint Just* |
duet |
scene Carlos+ frater |
tenor+ bas |
|
|
|
2.03a |
E lui desso l'infante |
duet |
scene Carlos+ Philips |
tenor + bas |
2.42-4.32 |
|
|
2.03a |
Da ist er..der Infant* |
duet |
scene Carlos+ Philips |
tenor + bas |
2.42-4.32 |
|
|
2.03a |
Le voil ..c'est l'infant* |
duet |
scene Carlos+ Philips |
tenor + bas |
2.42-4.32 |
|
|
2.03b |
Questo arcano dal Re |
duet |
scene Carlo+ Rodrigo |
tenor+ bariton |
1.10 |
|
|
2.03b |
Dein Geheimnis bliebt unbekannt* |
duet |
scene Carlo+ Rodrigo |
tenor+ bariton |
1.10 |
|
|
2.03b |
Le roi n'a pas encore surpris* |
duet |
scene Carlo+ Rodrigo |
tenor+ bariton |
1.10 |
|
|
2.03b |
Your seceret has not been discovered* |
duet |
scene Carlo+ Rodrigo |
tenor+ bariton |
1.10 |
|
|
2.04a |
Ascolta! le porte dell asil |
duet |
scene Rodriogo+ Don Carlos |
bariton+ tenor |
6.28 |
|
|
2.04a |
Höre! die Pforten des Klosters* |
duet |
scene Rodriogo+ Don Carlos |
bariton+ tenor |
6.28 |
|
|
2.04a |
Ecoute! les portes du convent* |
duet |
scene Rodriogo+ Don Carlos |
bariton+ tenor |
6.28 |
|
|
2.04b |
Dio che nell'alma infondere |
duet |
duet Rodrigo+ Don Carlos |
bariton+ tenor |
2.31-4.50 |
|
|
2.04b |
Gott der du in unsere Seelen* |
duet |
duet Rodrigo+ Don Carlos |
bariton+ tenor |
2.31-4.50 |
|
|
2.04b |
Dieu qui semas dans nos ames* |
duet |
duet Rodrigo+ Don Carlos |
bariton+ tenor |
2.31-4.50 |
|
|
2.04b |
O God who wished to instil* |
duet |
duet Rodrigo+ Don Carlos |
bariton+ tenor |
2.31-4.50 |
|
|
2.05 |
Io l'ho perduta |
duet |
scene/aria Don Carlos+ Rodrigo |
tenor+ bariton |
1.35-3.21 |
|
|
2.05 |
Ich habe sie verloren* |
duet |
scene/aria Don Carlos+ Rodrigo |
tenor+ bariton |
1.35-3.21 |
|
|
2.05 |
Je l'ai perdu* |
duet |
scene/aria Don Carlos+ Rodrigo |
tenor+ bariton |
1.35-3.21 |
|
|
2.05 |
I have lost her* |
duet |
scene/aria Don Carlos+ Rodrigo |
tenor+ bariton |
1.35-3.21 |
|
|
2.06 |
Sotto ai folti immesi abeti |
duet/koor |
scene Eboli+ Tebaldo |
mezzo+ sopraan |
2.25 |
|
|
2.06 |
Unter dem weiten Blätterdach* |
duet/koor |
scene Eboli+ Tebaldo |
mezzo+ sopraan |
2.25 |
|
|
2.06 |
Sous ces bois au feuillage* |
duet/koor |
scene Eboli+ Tebaldo |
mezzo+ sopraan |
2.25 |
|
|
2.06 |
Beneath the huge* |
duet/koor |
scene Eboli+ Tebaldo |
mezzo+ sopraan |
2.25 |
|
|
2.07 |
Nel giardin del bello saracin |
solo |
moorse romance Eboli |
mezzo |
4.35-4.56 |
|
|
2.07 |
Im Garten des schönen* |
solo |
moorse romance Eboli |
mezzo |
4.35-4.56 |
|
|
2.07 |
Au palais des fées* |
solo |
moorse romance Eboli |
mezzo |
4.35-4.56 |
|
|
2.07 |
Canzone del velo * |
solo |
moorse romance Eboli |
mezzo |
4.35-4.56 |
|
|
2.08a |
La Regina! |
kwartet |
scene Eboli+ Elisabetta+ Tebaldo+ Rodrigo |
mezzo+ sopraan+ sopraan+ bariton |
1.52 |
|
|
2.08a |
Die Königin!* |
kwartet |
scene Eboli+ Elisabetta+ Tebaldo+ Rodrigo |
mezzo+ sopraan+ sopraan+ bariton |
1.52 |
|
|
2.08a |
La Reine!* |
kwartet |
scene Eboli+ Elisabetta+ Tebaldo+ Rodrigo |
mezzo+ sopraan+ sopraan+ bariton |
1.52 |
|
|
2.08a |
The Queen* |
kwartet |
scene Eboli+ Elisabetta+ Tebaldo+ Rodrigo |
mezzo+ sopraan+ sopraan+ bariton |
1.52 |
|
|
2.08b |
Che mai si fa nel suol francese |
trio |
trio Elisabetta+ Eboli+ Rodrigo |
sopraan+ mezzo+ bariton |
1.54 |
|
|
2.08b |
Erzahlt uns jetzt von Frankreich* |
trio |
trio Elisabetta+ Eboli+ Rodrigo |
sopraan+ mezzo+ bariton |
1.54 |
|
|
2.08b |
Que se passe t'il donc* |
trio |
trio Elisabetta+ Eboli+ Rodrigo |
sopraan+ mezzo+ bariton |
1.54 |
|
|
2.08b |
What news from France* |
trio |
trio Elisabetta+ Eboli+ Rodrigo |
sopraan+ mezzo+ bariton |
1.54 |
|
|
2.09 |
Carlo che sol il nostro amore |
trio |
scene/aria Rodrigo+ Eboli+ Elisabetta |
bariton+ mezzo+ sopraan |
4.52 |
|
|
2.09 |
Carlos den wir über alles lieben* |
trio |
scene/aria Rodrigo+ Eboli+ Elisabetta |
bariton+ mezzo+ sopraan |
4.52 |
|
|
2.09 |
L'infant Carlos notre espérance* |
trio |
scene/aria Rodrigo+ Eboli+ Elisabetta |
bariton+ mezzo+ sopraan |
4.52 |
|
|
2.09 |
Carlo who has our love* |
trio |
scene/aria Rodrigo+ Eboli+ Elisabetta |
bariton+ mezzo+ sopraan |
4.52 |
|
|
2.10a |
Io vengo a domandar grazia alla Regina |
duet |
scene Carlos+ Elisabetta |
tenor+ sopraan |
3.59 |
|
|
2.10a |
Ich komme um von der Königin* |
duet |
scene Carlos+ Elisabetta |
tenor+ sopraan |
3.59 |
|
|
2.10a |
Je viens solliciter de la Reine* |
duet |
scene Carlos+ Elisabetta |
tenor+ sopraan |
3.59 |
|
|
2.10a |
I come to beg a favour* |
duet |
scene Carlos+ Elisabetta |
tenor+ sopraan |
3.59 |
|
|
2.10b |
Perduto ben mio sol tesor |
duet |
duet Don Carlos+ Elisabetta |
tenor+ sopraan |
4.29-7.11 |
|
|
2.10b |
So schwand dahin mein Gluck* |
duet |
duet Don Carlos+ Elisabetta |
tenor+ sopraan |
4.29-7.11 |
|
|
2.10b |
Amour perdu mon seul tresor* |
duet |
duet Don Carlos+ Elisabetta |
tenor+ sopraan |
4.29-7.11 |
|
|
2.10b |
Lost love mz treasure* |
duet |
duet Don Carlos+ Elisabetta |
tenor+ sopraan |
4.29-7.11 |
|
|
2.10c |
Oh! Carlo oh Carlo |
duet |
scene Elisabetta+ Carlo |
sopraan+ tenor |
2.07 |
|
|
2.10c |
O Carlos o Carlos* |
duet |
scene Elisabetta+ Carlo |
sopraan+ tenor |
2.07 |
|
|
2.10c |
Oh! Carlos* |
duet |
scene Elisabetta+ Carlo |
sopraan+ tenor |
2.07 |
|
|
2.11 |
Il Re! Perché sola e la Regina |
duet |
scene Tebaldo + Philips |
sopraan+ bas |
1.23 |
|
|
2.11 |
Der König! Warum ist die Königin allein* |
duet |
scene Tebaldo + Philips |
sopraan+ bas |
1.23 |
|
|
2.11 |
Le Roi! Pourquoi seule Madame* |
duet |
scene Tebaldo + Philips |
sopraan+ bas |
1.23 |
|
|
2.11 |
The King why is Queen unattended* |
duet |
scene Tebaldo + Philips |
sopraan+ bas |
1.23 |
|
|
2.12 |
Non pianger mia compagna |
solo |
afscheidsaria Elisabeth |
sopraan |
4.40 |
|
|
2.12 |
Weine nicht meine Gefährtin* |
solo |
afscheidsaria Elisabeth |
sopraan |
4.40 |
|
|
2.12 |
O ma chere compagne* |
solo |
afscheidsaria Elisabeth |
sopraan |
4.40 |
|
|
2.12 |
Do'not weep my companion* |
solo |
afscheidsaria Elisabeth |
sopraan |
4.40 |
|
|
2.13 |
Restate! presso alla mia persona |
duet |
scene Philips+ Rodrigo |
bas+ bariton |
2.15 |
|
|
2.13 |
Bleibt! warum habt ihr nie ersucht* |
duet |
scene Philips+ Rodrigo |
bas+ bariton |
2.15 |
|
|
2.13 |
Restez! auprès de ma personne* |
duet |
scene Philips+ Rodrigo |
bas+ bariton |
2.15 |
|
|
2.13 |
Stay why have you not asked* |
duet |
scene Philips+ Rodrigo |
bas+ bariton |
2.15 |
|
|
2.14 |
O Signor di Fiandra arrivo |
solo |
aria Rodrigo |
bariton |
3.17 |
|
|
2.14 |
O König ich komme aus Flandern* |
solo |
aria Rodrigo |
bariton |
3.17 |
|
|
2.14 |
O roi j'arrive de Flandre* |
solo |
aria Rodrigo |
bariton |
3.17 |
|
|
2.14 |
Oh my Lord I come from Flanders* |
solo |
aria Rodrigo |
bariton |
3.17 |
|
|
2.15a |
Quest e la pace che voi |
duet |
scene Rodrigo+ Philips |
bariton+ bas |
3.48 |
|
|
2.15a |
Ist das der Frieden den ihr* |
duet |
scene Rodrigo+ Philips |
bariton+ bas |
3.48 |
|
|
2.15a |
Est ce la paix que vous* |
duet |
scene Rodrigo+ Philips |
bariton+ bas |
3.48 |
|
|
2.15a |
Is this the peace* |
duet |
scene Rodrigo+ Philips |
bariton+ bas |
3.48 |
|
|
2.15b |
Oso lo sguardo tuo penetrar |
duet |
scene/duet Philips+ Rodrigo |
bas+ bariton |
4.08 |
|
|
2.15b |
Mit kühnen Worten haben sie frei gesprochen* |
duet |
scene/duet Philips+ Rodrigo |
bas+ bariton |
4.08 |
|
|
2.15b |
Ton regard a osé penetrer* |
duet |
scene/duet Philips+ Rodrigo |
bas+ bariton |
4.08 |
|
|
2.15b |
Your gaze has dared to penetrate* |
duet |
scene/duet Philips+ Rodrigo |
bas+ bariton |
4.08 |
|
|
3.01 |
Voorspel 3e acte |
orkest |
|
nvt |
2.22 |
|
|
3.02 |
A mezzanotte ai giardin |
solo |
scene Carlos |
tenor |
2.30 |
|
|
3.02 |
Um Mitternacht in den Garten* |
solo |
scene Carlos |
tenor |
2.30 |
|
|
3.02 |
A minuit aux jardins* |
solo |
scene Carlos |
tenor |
2.30 |
|
|
3.02 |
At midnight in Queen"s garden* |
solo |
scene Carlos |
tenor |
2.30 |
|
|
3.03a |
Sei tu sei tu bell adorata |
duet |
scene Don Carlos+ Eboli |
tenor+ mezzo |
|
|
|
3.03a |
Du bist es du Geliebte* |
duet |
scene Don Carlos+ Eboli |
tenor+ mezzo |
|
|
|
3.03a |
C'est vous ma bien aim‚e* |
duet |
scene Don Carlos+ Eboli |
tenor+ mezzo |
|
|
|
3.03b |
Ve ignoto forse ignoto ancora |
duet |
scene Eboli+ Carlo |
mezzo+ tenor |
2.45 |
|
|
3.03b |
Sind unbekannt die Gefahren* |
duet |
scene Eboli+ Carlo |
mezzo+ tenor |
2.45 |
|
|
3.03b |
Vous ignorez peut-être encore* |
duet |
scene Eboli+ Carlo |
mezzo+ tenor |
2.45 |
|
|
3.03b |
Perhaps you do not know yet* |
duet |
scene Eboli+ Carlo |
mezzo+ tenor |
2.45 |
|
|
3.04a |
Pieta! che disse mai? |
trio |
scene Don Carlos+ Rodrigo+ Eboli |
tenor+ bariton+ mezzo |
|
|
|
3.04a |
Erbarmen! was sagt er? * |
trio |
scene Don Carlos+ Rodrigo+ Eboli |
tenor+ bariton+ mezzo |
|
|
|
3.04a |
Pitié que dit il? * |
trio |
scene Don Carlos+ Rodrigo+ Eboli |
tenor+ bariton+ mezzo |
|
|
|
3.04a |
Have pitty whatever he say* |
trio |
scene Don Carlos+ Rodrigo+ Eboli |
tenor+ bariton+ mezzo |
|
|
|
3.04b |
Al mio furor sfuggite |
trio |
trio Eboli+ Carlo+ Rodrigo |
mezzo+ tenor+ bariton |
2.15 |
|
|
3.04b |
Vor meiner rache flieht Ihr Vergebens* |
trio |
trio Eboli+ Carlo+ Rodrigo |
mezzo+ tenor+ bariton |
2.15 |
|
|
3.04b |
Vous fuez en vain ma fureur* |
trio |
trio Eboli+ Carlo+ Rodrigo |
mezzo+ tenor+ bariton |
2.15 |
|
|
3.04b |
You fly from my fury in vain* |
trio |
trio Eboli+ Carlo+ Rodrigo |
mezzo+ tenor+ bariton |
2.15 |
|
|
3.04c |
Ed io che tremava suo aspetto |
trio |
scene Eboli+ Rodrigo+ Carlo |
mezzo+ bariton+ tenor |
1.20 |
|
|
3.04c |
Und ich war vor ihr errötet* |
trio |
scene Eboli+ Rodrigo+ Carlo |
mezzo+ bariton+ tenor |
1.20 |
|
|
3.04c |
Et moi qui tremblais a son aspect* |
trio |
scene Eboli+ Rodrigo+ Carlo |
mezzo+ bariton+ tenor |
1.20 |
|
|
3.04c |
And I used tot tremble before her* |
trio |
scene Eboli+ Rodrigo+ Carlo |
mezzo+ bariton+ tenor |
1.20 |
|
|
3.05a |
Trema per te falso figluolo |
trio |
scene Rodrigo+ Don Carlos+ Eboli |
bariton+ tenor+ mezzo |
1.15 |
|
|
3.05a |
Zittere verräterischer Sohn* |
trio |
scene Rodrigo+ Don Carlos+ Eboli |
bariton+ tenor+ mezzo |
1.15 |
|
|
3.05a |
Malheur sur toi fils adultere* |
trio |
scene Rodrigo+ Don Carlos+ Eboli |
bariton+ tenor+ mezzo |
1.15 |
|
|
3.05a |
Quake for yourself false son* |
trio |
scene Rodrigo+ Don Carlos+ Eboli |
bariton+ tenor+ mezzo |
1.15 |
|
|
3.05b |
Carlo se mai su te fogli |
duet |
duet Rodrigo+ Carlo |
bariton+ tenor |
2.18 |
|
|
3.05b |
Carlos hast du vielleicht ein wichtig Dokument* |
duet |
duet Rodrigo+ Carlo |
bariton+ tenor |
2.18 |
|
|
3.05b |
Carlos si tu gardes sur papiers* |
duet |
duet Rodrigo+ Carlo |
bariton+ tenor |
2.18 |
|
|
3.05b |
Carlos if you happen to have important papers* |
duet |
duet Rodrigo+ Carlo |
bariton+ tenor |
2.18 |
|
|
3.06a |
Spuntato ecco il di d'esultanza |
solo/koor |
frater met koor van monniken |
bas |
3.40-4.18 |
|
|
3.06a |
Dieser Tag ist von Jubel erfüllt* |
solo/koor |
frater met koor van monniken |
bas |
3.40-4.18 |
|
|
3.06a |
Ce jour heureux est plein d'allegresse* |
solo/koor |
frater met koor van monniken |
bas |
3.40-4.18 |
|
|
3.06a |
The day of rejoicing has dawned* |
solo/koor |
frater met koor van monniken |
bas |
3.40-4.18 |
|
|
3.06b |
Sciusa or sia la porta |
solo/koor |
scene heraut met volk |
tenor |
1.58 |
|
|
3.06b |
Lasst uns die Türen öffnen* |
solo/koor |
scene heraut met volk |
tenor |
1.58 |
|
|
3.06b |
Que la porte du temple s'ouvre* |
solo/koor |
scene heraut met volk |
tenor |
1.58 |
|
|
3.06b |
Let the door of church be trown open* |
solo/koor |
scene heraut met volk |
tenor |
1.58 |
|
|
3.07 |
Nel posar sul mio capo |
duet |
scene Philips+ Elisabetta+ koor fraters |
bas+ sopraan |
1.33 |
|
|
3.07 |
Als ich mir diese Krone auf Haupt setzte* |
duet |
scene Philips+ Elisabetta+ koor fraters |
bas+ sopraan |
1.33 |
|
|
3.07 |
En placant sur mon front cette couronne* |
duet |
scene Philips+ Elisabetta+ koor fraters |
bas+ sopraan |
1.33 |
|
|
3.08 |
Ne l'ora estrema ancora |
samenzang |
samenzang Philip+ Frater+ea met koor |
bas+ bas |
4.48 |
|
|
3.08 |
Noch bracht die letzte Stunde nicht herein* |
samenzang |
samenzang Philip+ Frater+ea met koor |
bas+ bas |
4.48 |
|
|
3.08 |
Non la dernière heure pas encore sonné* |
samenzang |
samenzang Philip+ Frater+ea met koor |
bas+ bas |
4.48 |
|
|
3.08 |
No the last hour has not yet struck* |
samenzang |
samenzang Philip+ Frater+ea met koor |
bas+ bas |
4.48 |
|
|
3.09 |
Sire egli e tempo chio viva |
duet |
duet Carlos+ Philip met Elisabetta en Rodrigo |
tenor+ bas+ sopraan+ bariton |
2.12 |
|
|
3.09 |
Sire meine Zeit ist gekommen* |
duet |
duet Carlos+ Philip met Elisabetta en Rodrigo |
tenor+ bas+ sopraan+ bariton |
2.12 |
|
|
3.09 |
Sire il est temps que je vive* |
duet |
duet Carlos+ Philip met Elisabetta en Rodrigo |
tenor+ bas+ sopraan+ bariton |
2.12 |
|
|
3.09 |
Sire it is time I learn to live* |
duet |
duet Carlos+ Philip met Elisabetta en Rodrigo |
tenor+ bas+ sopraan+ bariton |
2.12 |
|
|
3.10 |
Ciel tu Rodrigo |
duet |
scene Carlo+ Philip met koor |
tenor+ bas |
3.10 |
|
|
3.10 |
O Gott du Rodrigo* |
duet |
scene Carlo+ Philip met koor |
tenor+ bas |
3.10 |
|
|
3.10 |
Oh ciel toi Rodrigo* |
duet |
scene Carlo+ Philip met koor |
tenor+ bas |
3.10 |
|
|
3.10 |
Oh heaven you Rodrigo* |
duet |
scene Carlo+ Philip met koor |
tenor+ bas |
3.10 |
|
|
4.01a |
Ella giammai m'amor * |
solo |
recitatief aria Filips .zie Dormiro sol |
bas |
3.02-10.49 |
|
|
4.01a |
Sie hat mich nie gliebt* |
solo |
recitatief aria Filips .zie Dormiro sol |
bas |
3.02-10.49 |
|
|
4.01a |
Elle ne m'aime pas* |
solo |
recitatief aria Filips .zie Dormiro sol |
bas |
3.02-10.49 |
|
|
4.01a |
Aria Koning Philips* |
solo |
recitatief aria Filips .zie Dormiro sol |
bas |
3.02-10.49 |
|
|
4.01b |
Dormiro sol nel manto mio regal |
solo |
aria koning Filips. zie Ella giammai |
bas |
5.00-9.13 |
|
|
4.01b |
Ich werde in meinen Königsmantel schlafen* |
solo |
aria koning Filips. zie Ella giammai |
bas |
5.00-9.13 |
|
|
4.01b |
Je dormirai dans mon manteau royal* |
solo |
aria koning Filips. zie Ella giammai |
bas |
5.00-9.13 |
|
|
4.01b |
I shall sleep alone* |
solo |
aria koning Filips. zie Ella giammai |
bas |
5.00-9.13 |
|
|
4.02a |
Il grande inquisitor! |
duet |
scene Inquisiteur+ Philips |
bas+ bas |
9.45 |
|
|
4.02a |
Der Grossinquisitor! * |
duet |
scene Inquisiteur+ Philips |
bas+ bas |
9.45 |
|
|
4.02a |
Le Grand Inquisiteur! * |
duet |
scene Inquisiteur+ Philips |
bas+ bas |
9.45 |
|
|
4.02a |
The grand In quisitor* |
duet |
scene Inquisiteur+ Philips |
bas+ bas |
9.45 |
|
|
4.02b |
Nell hispano suol mai |
duet |
scene Philips+ Inquisiteur |
bas+ bas |
6.01 |
|
|
4.02b |
Noch ward Spanien nie* |
duet |
scene Philips+ Inquisiteur |
bas+ bas |
6.01 |
|
|
4.02b |
Sur le sol d'Espagne* |
duet |
scene Philips+ Inquisiteur |
bas+ bas |
6.01 |
|
|
4.02b |
On spanish soil* |
duet |
scene Philips+ Inquisiteur |
bas+ bas |
6.01 |
|
|
4.03a |
Giustizia giustizia Sire! |
kwartet |
scene Elisabetta+Philips+ Rodrigo+ Eboli |
sopraan+ bas+ bariton+ mezzo |
3.14 |
|
|
4.03a |
Gerechtigkeit Gerechtigkeit Sire! * |
kwartet |
scene Elisabetta+Philips+ Rodrigo+ Eboli |
sopraan+ bas+ bariton+ mezzo |
3.14 |
|
|
4.03a |
Justice Sire! * |
kwartet |
scene Elisabetta+Philips+ Rodrigo+ Eboli |
sopraan+ bas+ bariton+ mezzo |
3.14 |
|
|
4.03a |
Justice justice Sire* |
kwartet |
scene Elisabetta+Philips+ Rodrigo+ Eboli |
sopraan+ bas+ bariton+ mezzo |
3.14 |
|
|
4.03b |
Ardita troppo voi favellate |
kwartet |
scene Philip+Elisabet+ Rodrigo+ Eboli |
bas+ sopraan+ bariton+ mezzo |
1.56 |
|
|
4.03b |
Sehr stolz gesprochen* |
kwartet |
scene Philip+Elisabet+ Rodrigo+ Eboli |
bas+ sopraan+ bariton+ mezzo |
1.56 |
|
|
4.03b |
Vos paroles sont trop hardies* |
kwartet |
scene Philip+Elisabet+ Rodrigo+ Eboli |
bas+ sopraan+ bariton+ mezzo |
1.56 |
|
|
4.03b |
You speak too boldly* |
kwartet |
scene Philip+Elisabet+ Rodrigo+ Eboli |
bas+ sopraan+ bariton+ mezzo |
1.56 |
|
|
4.03c |
Ah! si maledetto sospetto fatale |
kwartet |
scene Philip+ Eboli+ Rodrigo+ Elisabetta |
bas+ mezzo+ bariton+ sopraan |
4.21 |
|
|
4.03c |
Verflucht sei der Argwohn* |
kwartet |
scene Philip+ Eboli+ Rodrigo+ Elisabetta |
bas+ mezzo+ bariton+ sopraan |
4.21 |
|
|
4.03c |
Ah sois maudit soupcon fatal* |
kwartet |
scene Philip+ Eboli+ Rodrigo+ Elisabetta |
bas+ mezzo+ bariton+ sopraan |
4.21 |
|
|
4.03c |
Oh cursed be the fatal* |
kwartet |
scene Philip+ Eboli+ Rodrigo+ Elisabetta |
bas+ mezzo+ bariton+ sopraan |
4.21 |
|
|
4.04 |
Pieta perdon per la rea che si pente |
duet |
scene Eboli+ Elisabetta |
mezzo+ sopraan |
3.48 |
|
|
4.04 |
Erbarmen Vergebung für eine Sünderin* |
duet |
scene Eboli+ Elisabetta |
mezzo+ sopraan |
3.48 |
|
|
4.04 |
Pitié pardon pour la femme coupable* |
duet |
scene Eboli+ Elisabetta |
mezzo+ sopraan |
3.48 |
|
|
4.04 |
Have mercy pardon* |
duet |
scene Eboli+ Elisabetta |
mezzo+ sopraan |
3.48 |
|
|
4.05a |
Ah! piu non vedro |
solo |
aria Eboli |
mezzo |
0.20-1.37 |
|
|
4.05a |
Ah nie werde ich* |
solo |
aria Eboli |
mezzo |
0.20-1.37 |
|
|
4.05a |
Ah je ne verrai pas* |
solo |
aria Eboli |
mezzo |
0.20-1.37 |
|
|
4.05a |
Ah I shall never* |
solo |
aria Eboli |
mezzo |
0.20-1.37 |
|
|
4.05b |
O don fatale o don crudel |
solo |
aria Eboli |
mezzo |
1.37-5.05 |
|
|
4.05b |
Unselige Gabe * |
solo |
aria Eboli |
mezzo |
1.37-5.05 |
|
|
4.05b |
O don fatal et détest‚* |
solo |
aria Eboli |
mezzo |
1.37-5.05 |
|
|
4.05b |
Oh fatal gift cruel gift |
solo |
aria Eboli |
mezzo |
1.37-5.05 |
|
|
4.05c |
O mia Regina io t'immolai |
solo |
aria Eboli |
mezzo |
3.16 |
|
|
4.05c |
Oh meine Herrin nie kann ich bussen* |
solo |
aria Eboli |
mezzo |
3.16 |
|
|
4.05c |
O ma reine je t'ai immolée* |
solo |
aria Eboli |
mezzo |
3.16 |
|
|
4.05c |
Oh my Queen I sacrificed you* |
solo |
aria Eboli |
mezzo |
3.16 |
|
|
4.06 |
Son io mio Carlo |
duet |
scene Rodrigo + Carlos |
bariton+ tenor |
3.15 |
|
|
4.06 |
Ich bin es Carlos* |
duet |
scene Rodrigo + Carlos |
bariton+ tenor |
3.15 |
|
|
4.06 |
C'est moi Carlos* |
duet |
scene Rodrigo + Carlos |
bariton+ tenor |
3.15 |
|
|
4.06 |
It is I Carlos* |
duet |
scene Rodrigo + Carlos |
bariton+ tenor |
3.15 |
|
|
4.07 |
Per me giunto e il di supremo |
solo |
aria Rodrigo |
bariton |
2.45-6.31 |
|
|
4.07 |
Mein letzter Tag ist gekommen* |
solo |
aria Rodrigo |
bariton |
2.45-6.31 |
|
|
4.07 |
C'est mon jour suprême* |
solo |
aria Rodrigo |
bariton |
2.45-6.31 |
|
|
4.07 |
For me last day has come* |
solo |
aria Rodrigo |
bariton |
2.45-6.31 |
|
|
4.08 |
Che parli tu di morte? |
duet |
scene Rodrigo+ Carlos |
bariton+ tenor |
1.42 |
|
|
4.08 |
Was sprichst du von Tod? * |
duet |
scene Rodrigo+ Carlos |
bariton+ tenor |
1.42 |
|
|
4.08 |
Que parles tu de mort? * |
duet |
scene Rodrigo+ Carlos |
bariton+ tenor |
1.42 |
|
|
4.08 |
Why do you talk of death* |
duet |
scene Rodrigo+ Carlos |
bariton+ tenor |
1.42 |
|
|
4.09a |
O Carlo ascolta |
solo |
dood van Rodrigo Posa |
bariton |
1.20-3.40 |
|
|
4.09a |
Schon sehe ich den Tag erscheinen* ? |
solo |
dood van Rodrigo Posa |
bariton |
1.20-3.50 |
|
|
4.09a |
Carlos écoute ta mere* |
solo |
dood van Rodrigo Posa |
bariton |
1.20-3.50 |
|
|
4.09a |
Carlos listen your mother* |
solo |
dood van Rodrigo Posa |
bariton |
1.20-3.50 |
|
|
4.09b |
Io morro ma lieto in core |
solo |
aria Rodrigo |
bariton |
2.26 |
|
|
4.09b |
Ah! ich sterbe und meine Seele* |
solo |
aria Rodrigo |
bariton |
2.26 |
|
|
4.09b |
Ah! je meurs l'ame joyeuse* |
solo |
aria Rodrigo |
bariton |
2.26 |
|
|
4.09b |
Ah I shall die but happily* |
solo |
aria Rodrigo |
bariton |
2.26 |
|
|
4.10 |
Mio Carlo a te la spada |
kwintet/koor |
scene Philips+ Graaf Lerma+ Carlos+ Inquisiteur |
bas+ tenor+ tenor+ bas |
3.55 |
|
|
4.10 |
Mein Sohn nimmt dein Schwert* |
kwintet/koor |
scene Philips+ Graaf Lerma+ Carlos+ Inquisiteur |
bas+ tenor+ tenor+ bas |
3.55 |
|
|
4.10 |
Mon fils reprenez votre épée* |
kwintet/koor |
scene Philips+ Graaf Lerma+ Carlos+ Inquisiteur |
bas+ tenor+ tenor+ bas |
3.55 |
|
|
4.10 |
Carlos I give your sword back* |
kwintet/koor |
scene Philips+ Graaf Lerma+ Carlos+ Inquisiteur |
bas+ tenor+ tenor+ bas |
3.55 |
|
|
5.01a |
Tu che le vanita concoscesti del mondo |
solo |
altaar-aria Elisabeth |
sopraan |
8.26-13.01 |
|
|
5.01a |
Du hast die Nichtigkeit der irdische Grösse* |
solo |
altaar-aria Elisabeth |
sopraan |
8.26-13.01 |
|
|
5.01a |
Toi qui sus le néant des grandeurs* |
solo |
altaar-aria Elisabeth |
sopraan |
8.26-13.01 |
|
|
5.01a |
Altaar aria* |
solo |
altaar-aria Elisabeth |
sopraan |
8.26-13.01 |
|
|
5.01b |
Francia nobile suol |
solo |
aria Elisabetta |
sopraan |
5.43 |
|
|
5.01b |
Frankreich edles Land so teuer* |
solo |
aria Elisabetta |
sopraan |
5.43 |
|
|
5.01b |
Fontainebleau mon coeur est plein* |
solo |
aria Elisabetta |
sopraan |
5.43 |
|
|
5.01b |
France noble land* |
solo |
aria Elisabetta |
sopraan |
5.43 |
|
|
5.02a |
E dessa! un detto un sol |
duet |
scene Carlos+ Elisbetta |
tenor+ sopraan |
6.07 |
|
|
5.02a |
Sie ist es! ein Wort* |
duet |
scene Carlos+ Elisbetta |
tenor+ sopraan |
6.07 |
|
|
5.02a |
C'est elle! un mot* |
duet |
scene Carlos+ Elisbetta |
tenor+ sopraan |
6.07 |
|
|
5.02a |
Tis she one word one alone* |
duet |
scene Carlos+ Elisbetta |
tenor+ sopraan |
6.07 |
|
|
5.02b |
Un detto un sol |
duet |
duet Elisabeth+ Carlos |
sopraan+ tenor |
10.0 |
|
|
5.02b |
Ein Wort ein einziges Wort* |
duet |
duet Elisabeth+ Carlos |
sopraan+ tenor |
10.0 |
|
|
5.02b |
Un mot.. un seul le mot* |
duet |
duet Elisabeth+ Carlos |
sopraan+ tenor |
10.0 |
|
|
5.02b |
One word one alone* |
duet |
duet Elisabeth+ Carlos |
sopraan+ tenor |
10.0 |
|
|
5.02c |
Ma lassu ci vedremo |
duet |
duet Carlo+ Elisabetta |
tenor+ sopraan |
3.39 |
|
|
5.02c |
Wiedersehn wird uns werden* |
duet |
duet Carlo+ Elisabetta |
tenor+ sopraan |
3.39 |
|
|
5.02c |
Mais nous reverrons la-haut* |
duet |
duet Carlo+ Elisabetta |
tenor+ sopraan |
3.39 |
|
|
5.02c |
But above we shall meet* |
duet |
duet Carlo+ Elisabetta |
tenor+ sopraan |
3.39 |
|
|
5.03 |
Si per sempre! io voglio |
kwartet |
scene Philips+ Elisabetta+ Carlos+ Inquisiteur |
bas+ sopraan+ tenor+ bas |
1.50 |
|
|
5.03 |
Ja für immer! ich verlange* |
kwartet |
scene Philips+ Elisabetta+ Carlos+ Inquisiteur |
bas+ sopraan+ tenor+ bas |
1.50 |
|
|
5.03 |
Qui pour toujours! il faut* |
kwartet |
scene Philips+ Elisabetta+ Carlos+ Inquisiteur |
bas+ sopraan+ tenor+ bas |
1.50 |
|
|
5.03 |
Yes for ever* |
kwartet |
scene Philips+ Elisabetta+ Carlos+ Inquisiteur |
bas+ sopraan+ tenor+ bas |
1.50 |
|
|
5.04 |
Il duole della terra |
duet |
scene monnik + inquisiteur |
bas+ bas |
0.54-4.32 |
|
|
5.04 |
Weltliche Schmerzen* |
duet |
scene monnik + inquisiteur |
bas+ bas |
0.54-4.32 |
|
|
5.04 |
Mon fils douleurs de la terre* |
duet |
scene monnik + inquisiteur |
bas+ bas |
0.54-4.32 |
|
|
5.04 |
Earthly sorrow* |
duet |
scene monnik + inquisiteur |
bas+ bas |
0.54-4.32 |
|
|
|
|
|
|
|
|
|
Don Giovanni 1 |
? |
Willst du dein Herz mir schenken* |
solo |
aria Giovanni |
tenor |
2.25 |
|
Mozart W A |
? |
Sag mir nicht o mein Geliebter |
solo |
|
sopraan |
|
|
|
1.01 |
Ouverture |
orkest |
|
nvt |
6.05-6.54 |
|
|
1.02a |
Notte e giorno faticar |
solo |
monoloog Leporello |
bas buffo |
2.20-5.44 |
|
|
1.02b |
Non sperar se non m'uccidi |
kwartet |
scene Anna+ Giovanni+ Leporello+ Commendatore |
sopraan+ bariton+ bas+ bas |
4.00 |
|
|
1.02c |
Traditore! |
kwartet |
scene Giovanni+ Leporello+ Anna+ Commendatore |
bariton+ bas+ sopraan+ bas |
4.00 |
|
|
1.03 |
Leporello ove sei? |
duet |
scene Giovanni+ Leporello |
bariton+ bas |
0.40 |
|
|
1.04a |
Ah! del padre in periglio =Ma qual mai |
duet |
duet Anna+ Ottavio |
sopraan+ tenor |
7.41 |
|
|
1.04b |
Ma qual mai s'offre oh Dei =Ah! del padre |
duet |
Donna Anna+ Don Ottavio |
sopraan+ tenor |
2.37-7.41 |
|
|
1.04c |
Fuggi crudele fuggi |
duet |
duet Donna Anna+ Don Ottavio |
sopraan+ tenor |
2.00-3.46 |
|
|
1.05 |
Orsu spiciati presto cosa vuoi |
duet |
scene Giovanni+ Leporello |
bariton+ bas |
1.13-1.43 |
|
|
1.06a |
Ah! chi mi dice mai |
trio |
terzet Leporello+ Elvira+ Don Giovanni |
bas buffo+ sopraan+ bariton |
3.20-6.38 |
|
|
1.06b |
Chi e la? |
trio |
scene Don Giovanni+ Leporello+ Elvira |
bas+ bariton+ sopraan |
5.00* |
|
|
1.07 |
Madamina il catalogo e questo |
solo |
aria Leporello |
bas buffo |
5.29-5.52 |
|
|
1.07 |
Schöne Donna* |
solo |
aria Leporello |
bas buffo |
5.29-5.52 |
|
|
1.07 |
Oui Madame * |
solo |
aria Leporello |
bas buffo |
5.29-5.52 |
|
|
1.07 |
Catalogusaria of Registeraria * |
solo |
aria Leporello |
bas buffo |
5.29-5.52 |
|
|
1.08a |
In questa forma dunque |
solo |
scene Elvira |
sopraan |
1.00* |
|
|
1.08b |
Giovinette che fate all'amore |
duet/koor |
duet Zerlina+ Masetto |
sopraan+ bas |
1.30 |
|
|
1.09 |
Manco male e partita |
kwartet |
scene Giovanni+ Leporello+ Zerlina+ Masetto |
bariton+ bas+ sopraan+ bas |
1.56-2.21 |
|
|
1.10 |
Ho capito Signor si! |
solo |
aria Masetto |
bariton of bas |
1.29-1.44 |
|
|
1.11 |
Alfin siam liberati Zerlinetta |
duet |
duet Giovanni+ Zerlina |
bariton+ sopraan |
1.37-1.52 |
|
|
1.12 |
La ci darem la mano |
duet |
duet Zerlina+ Don Giovanni |
sopraan leggiero+ bariton |
2.57-3.32 |
|
|
1.12 |
Reich mir die Hand mein Leben * |
duet |
duet Zerlina+ Don Giovanni |
sopraan leggiero+ bariton |
2.57-3.32 |
|
|
1.13 |
Fermati scellerato! |
trio |
scene Elvira+ Zerlina+ Giovanni |
sopraan+ sopraan+ bariton |
0.41-0.52 |
|
|
1.14 |
Ah! fuggi il traditor! |
solo |
aria Don Elvira |
sopraan |
1.23-1.41 |
|
|
1.15 |
Mi par ch'oggi il demonio |
trio |
scene Giovanni+ Ottavio+ Anna |
bariton+ tenor+ sopraan |
1.06 |
|
|
1.16a |
Ah! ti ritrovo ancor perfido nostro |
kwartet |
scene Elvira+ Anna+ Ottavio+ Giovanni |
sopraan+ sopraan+ tenor+ bariton |
4.39-4.51 |
|
|
1.16a |
Non ti fidar o misera * |
kwartet |
scene Elvira+ Anna+ Ottavio+ Giovanni |
sopraan+ sopraan+ tenor+ bariton |
4.39-4.51 |
|
|
1.16c |
Povere sventurata |
solo |
aria Don Giovanni |
bas |
0.19 |
|
|
1.17a |
Don Ottavio son morta |
duet |
scene Anna+ Ottavio |
sopraan+ tenor |
2.50-3.33 |
|
|
1.17b |
Allora rinforzo i stridi miei |
solo |
aria Anna |
sopraan |
1.30 |
|
|
1.17c |
Or sai chi l'onore |
solo |
aria Donna Anna |
sopraan |
1.30-3.34 |
|
|
1.18a |
Come mai creder deggio |
solo |
aria Ottavio |
tenor |
0.36-4.59 |
|
|
1.18b |
Dalla sua pace |
solo |
aria Don Ottavio |
tenor lyrisch |
3.50-4.59 |
|
|
1.18b |
Nur ihrem Frieden weih ich mein Leben * |
solo |
aria Don Ottavio |
tenor lyrisch |
3.50-4.59 |
|
|
1.19 |
Io deggio ad ogni patto per sempre |
duet |
scene Leporello+ Giovanni |
bas+ bariton |
3.50-4.59 |
|
|
1.20 |
Finch han dal vino calda la testa |
solo |
aria Don Giovanni |
bariton |
1.24-1.42 |
|
|
1.20 |
Champagne aria * |
solo |
aria Don Giovanni |
bariton |
1.24-1.42 |
|
|
1.21 |
Masetto senti un po |
duet |
scene Zerlina+ Masetto |
sopraan+ bas |
1.12 |
|
|
1.22 |
Batti batti bel Masetto |
solo |
aria Zerlina= Schlage schlage Zerlinchen |
sopraan leggiero |
3.30-4.21 |
|
|
1.22 |
Schmale tobe lieber Junge * |
solo |
aria Zerlina= Schlage schlage Zerlinchen |
sopraan leggiero |
3.30-4.21 |
|
|
1.22 |
Schlage schlage dein Zerlinchen * |
solo |
aria Zerlina= Batti,batti bel Masetto |
sopraan leggiero |
3.53-4.21 |
|
|
1.23 |
Guarda un po come seppe |
trio |
scene Masetto+ Giovanni+ Zerlina |
bas+ bariton+ sopraan |
0.40 |
|
|
1.24 |
Presto presto pria ch'ei venga |
trio/koor |
scene Masetto+ Zerlina+ Giovanni met dienaren |
bariton of bas |
0.59-6.36 |
|
|
1.25 |
Su sveglatevi da bravi! |
solo/koor |
aria Giovanni |
bariton |
0.55 |
|
|
1.26 |
Tra quest arbori celata |
trio |
scene Zerlina+ Giovanni+ Masetto |
sopraan+ bariton+ bas |
2.33 |
|
|
1.27 |
Bisogna aver coraggio |
kwintet |
scene Giovanni+ Elvira+ Ottavio+ Anna+ Leporello |
bariton+sopraan+tenor+sopraan+bas |
4.40-5.22 |
|
|
1.28a |
Protegga il giusto cielo |
trio |
terzet Elvira+ Anna+ Ottavio |
sopraan+ sopraan+ tenor |
1.23 |
|
|
1.28b |
Riposate vezzose magazze |
kwartet |
scene Giovanni+ Leporello+ Masetto+ Zerlina |
bariton+ bas+ bas+ sopraan |
1.24-10.03 |
|
|
1.28c |
Venite pur avanti |
kwintet |
scene Leporello+ Giovanni+ Anna+ Elvira+ Ottavio |
bariton+bas+sopraan+sopraan+ tenor |
7.00* |
|
|
2.. |
Feinsliebchen komm ans Fenster |
solo |
canzone Giovanni |
bariton |
|
|
|
2.01a |
Eh! via buffone |
duet |
duet Leporello+ Don Giovanni |
bas buffo+ bariton |
1.10-3.04 |
|
|
2.01b |
Leporello! |
duet |
scene Leporello+ Don Giovanni |
bariton+ bas |
1.36 |
|
|
2.02a |
Ah! taci ingiusto core |
trio |
trio Leporello+ Giovanni+ Elvira |
bas buffo+ bariton+ sopraan |
4.43-7.17 |
|
|
2.02b |
Amore che ti par |
duet |
scene Leporello+ Don Giovanni |
bariton+ bas |
2.06 |
|
|
2.03 |
Eccomi a voi |
trio |
scene Elvira+ Giovanni+ Leporello |
sopraan+ bariton+ bas |
1.38 |
|
|
2.04 |
Deh! vieni alla finestra |
solo |
serenade Don Giovanni |
bariton |
1.44-3.09 |
|
|
2.04 |
Horch auf den Klang der Zither * |
solo |
serenade Don Giovanni |
bariton |
1.44-3.09 |
|
|
2.04 |
Canzonetta* |
solo |
serenade Don Giovanni |
bariton |
1.44-3.09 |
|
|
2.05a |
Ve gente alla finestra |
duet |
scene Giovanni+ Masetto |
bariton+ bas |
11.0-4.12 |
|
|
2.05b |
Bagatelle! Bravissimo |
solo |
aria Giovanni |
bariton |
4.42 |
|
|
2.05c |
Meta di voi qua vadano |
solo |
aria Don Giovanni |
bariton |
2.46-5.10 |
|
|
2.06 |
Zitto lascia cio sento |
duet |
scene Giovanni+ Masetto |
bariton+ bas |
0.43 |
|
|
2.07a |
Ahi! ahi la testa mia |
duet |
scene Masetto+ Zerlina |
bas+ sopraan |
1.22-4.33 |
|
|
2.07b |
Via via non e gran mal |
solo |
aria Zerlina |
sopraan soubrette |
3.10-3.32 |
|
|
2.07b |
Wenn du fein frommm bist* |
solo |
aria Zerlina |
sopraan soubrette |
3.10-3.32 |
|
|
2.07c |
Vedrai carino |
solo |
aria Zerlina bij Via via non egran mal |
sopraan soubrette |
3.00-4.05 |
|
|
2.07c |
Ich weiss ein Mittel* |
solo |
aria Zerlina bij Via via non egran mal |
sopraan soubrette |
3.00-4.05 |
|
|
2.08a |
Di molte faci il lume |
sextet |
Leporello+ Elvira+ Anna+ Ottavio+ Zerlina+Masetto |
bas+sopr+sopr+tenor+soprsoubr+barit |
0.27-3.48 |
|
|
2.08b |
Sola sola in buio loco * |
sextet |
Leporello+ Elvira+ Anna+ Ottavio+ Zerlina+Masetto |
bas+sopr+sopr+tenor+soprsoubr+barit |
3.18-4.32 |
|
|
2.09a |
Ferme briccone dove ten vai |
kwartet |
kwartet Zerlina+ Masetto+ Anna+ Ottavio |
sopraan+ bas+ sopraan+ tenor |
2.20 |
|
|
2.09b |
Mille torbidi pensieri |
solo |
aria Leporello |
bas |
2.30 |
|
|
2.10a |
Dunque quello sei tu |
kwartet |
scene Zerlina+ Elvira+ Ottavio+ Masetto |
sopraan+ sopraan+ bariton+ bas |
0.26-2.11 |
|
|
2.10b |
Ah! pieta Signori miei |
solo |
aria Leporello |
bas buffo |
1.45-2.45 |
|
|
2.11a |
Ferma perfido ferma |
trio |
scene Elvira+ Masetto+ Zerlina |
sopraan+ bas+ sopraan |
0.40 |
|
|
2.11b |
Amici miei dopo eccesi |
solo |
aria Ottavio |
tenor |
0.36 |
|
|
2.12 |
Tränen vom Freund getrocknet * |
solo |
ander naam zie Folget die Heissgebliebte |
tenor lyrisch |
4.46 |
|
|
2.12a |
Il mio tesore intanto |
solo |
aria Don Ottavio. zie Tranen Freund |
tenor lyrisch |
4.07-5.12 |
|
|
2.12a |
Folget die Heissgeliebte * |
solo |
aria Don Ottavio. zie Tranen Freund |
tenor lyrisch |
4.07-5.12 |
|
|
2.12b |
Per queste tue manine |
duet |
duet Leporello+ Zerlina =aanloop aria In quali |
bas buffo+ sopraan soubrette |
2.18 |
|
|
2.12c |
In quali eccessi o numi |
solo |
recitatief Elvira by aria Mi tradi quel |
sopraan |
6.09-6.32 |
|
|
2.13 |
Mi tradi quell'alma ingrata |
solo |
aria Elvira |
sopraan |
3.00 |
|
|
2.14 |
Ah! ah questa e buona |
duet |
scene Giovanni+ Leporello |
bariton+ bas |
3.57-4.45 |
|
|
2.15 |
O statua gentilissima |
duet |
duet Leporello+ Don Giovanni |
bas buffo+ bariton |
3.35-3.49 |
|
|
2.16 |
Calmatevi idol mio! |
duet |
scene Ottavio+ Anna |
tenor+ sopraan |
0.45-3.19 |
|
|
2.17a |
Crudele? Ah! no mio bene |
solo |
recitatief Anna by aria Non mi dir bell |
sopraan |
1.15-6.59 |
|
|
2.17a |
Schön warf der Abend* |
solo |
recitatief Anna by aria Non mi dir bell |
sopraan |
1.15-6.59 |
|
|
2.17a |
Ich grausam?* |
solo |
zie Schon warf der Abend= Crudele? |
sopraan |
|
|
|
2.17b |
Non mi dir bell'idol mio |
solo |
aria Donna Anna |
sopraan dramatisch |
3.53-7.44 |
|
|
2.17b |
Uber alles bist du Teuer * |
solo |
aria Donna Anna |
sopraan dramatisch |
3.52-7.44 |
|
|
2.17b |
Du kennst nun den Frevier* |
solo |
aria Donna Anna zie Non mi dir bell'idol |
sopraan |
|
|
|
2.18 |
Gia la mensa e preparata |
duet |
scene Giovanni+ Leporello |
bariton+ bas |
4.48-8.59 |
|
|
2.19 |
L'ultima prova dell'amor mio |
trio |
scene Elvira+ Giovanni+ Leporello |
sopraan+ bariton+ bas |
3.57 |
|
|
2.20 |
Don Giovanni a cenar teco |
trio |
scene Statua+ Giovanni+ Leporello |
bas+ bariton+ bas |
6.50-7.47 |
|
|
2.21 |
Ah! dove il perfido |
kwartet |
scene Elvira+ Zerlina+ Ottavio+ Masetto |
sopraan+ sopraan+ bariton+ bas |
5.54-6.52 |
|
|
2.22 |
Questo e il fin di chi fa mal |
samenzang |
hele cast in slotscene |
nvt |
2.00 |
|
|
2.23 |
Ah! si segna il suo passo |
solo |
scene Don Ottavio |
tenor |
0.19 |
|
|
|
|
|
|
|
|
|
Don Pasquale |
1.01 |
Ouverture |
orkest |
|
nvt |
6.10-6.41 |
|
Donizetti Gaetano |
1.02 |
Son nov'ore |
solo |
scene Don Pasquale |
bas |
3.06 |
|
|
1.02 |
Schon neun Uhr* |
solo |
scene Don Pasquale |
bas |
3.06 |
|
|
1.02 |
Il est neuf heures* |
solo |
scene Don Pasquale |
bas |
3.06 |
|
|
1.03 |
E permesso? |
duet |
scene Malatesta+ Pasquale |
bariton+ bas |
3.15 |
|
|
1.03 |
Ist es gestattet? * |
duet |
scene Malatesta+ Pasquale |
bariton+ bas |
3.15 |
|
|
1.03 |
On peut entrer? * |
duet |
scene Malatesta+ Pasquale |
bariton+ bas |
3.15 |
|
|
1.04 |
Bella siccome un angelo |
duet |
duet Malatesta+ Pasquale |
bariton lyr+ bas |
3.15-4.26 |
|
|
1.04 |
Schön wie ein holder Engel * |
duet |
duet Malatesta+ Pasquale |
bariton lyr+ bas |
3.15-4.26 |
|
|
1.04 |
Belle comme un ange* |
duet |
duet Malatesta+ Pasquale |
bariton lyr+ bas |
3.15-4.26 |
|
|
1.05 |
E mia Sorella |
duet |
scene Malatesta+ Don Pasquale |
bariton+ bas |
1.15 |
|
|
1.05 |
Sie ist meine Schwester* |
duet |
scene Malatesta+ Don Pasquale |
bariton+ bas |
11.5 |
|
|
1.05 |
C'est ma soeur* |
duet |
scene Malatesta+ Don Pasquale |
bariton+ bas |
1.15 |
|
|
1.06 |
Ah! un foco insolita |
solo |
aria Don Pasquale |
bas |
1.09-1.59 |
|
|
1.06 |
Ein ungewohntes Feuer* |
solo |
aria Don Pasquale |
bas |
1.09-1.59 |
|
|
1.06 |
Je me sens envahi* |
solo |
aria Don Pasquale |
bas |
1.09-1.59 |
|
|
1.07 |
Son rinato or si parli |
duet |
duet Ernesto+ Pasquale |
tenor+ bas |
2.45 |
|
|
1.07 |
Ich fühle mich wie neugeboren* |
duet |
duet Ernesto+ Pasquale |
tenor+ bas |
2.45 |
|
|
1.07 |
Ah je renais* |
duet |
duet Ernesto+ Pasquale |
tenor+ bas |
2.45 |
|
|
1.08a |
Prender moglie? |
duet |
Pasqual + Ernesto |
bas+ tenor |
1.39 |
|
|
1.08a |
Eine Frau nehmen?* |
duet |
Pasqual + Ernesto |
bas+ tenor |
1.39 |
|
|
1.08a |
Vous prenez femme?* |
duet |
Pasqual + Ernesto |
bas+ tenor |
1.39 |
|
|
1.08b |
Io Pasquale da Corneto |
duet |
scene Pasquale + Ernesto |
bas+ tenor |
1.18 |
|
|
1.09 |
Sogno soave e castro |
duet |
duet Ernesto + Pasquale |
tenor lyrisch+ bas |
2.30 |
|
|
1.09 |
Du sanfter und reiner Traum* |
duet |
duet Ernesto + Pasquale |
tenor lyrisch+ bas |
2.30 |
|
|
1.09 |
Rêve suave et chaste* |
duet |
duet Ernesto + Pasquale |
tenor lyrisch+ bas |
2.30 |
|
|
1.10 |
Due parole ancor di volo |
duet |
scene Pasqual+ Ernesto |
bas+ tenor |
1.25 |
|
|
1.10 |
Zwei Wörte noch im Gehen* |
duet |
scene Pasqual+ Ernesto |
bas+ tenor |
1.25 |
|
|
1.10 |
Deux mots encore seulement* |
duet |
scene Pasqual+ Ernesto |
bas+ tenor |
1.25 |
|
|
1.11 |
Ah! mi fa il destin mendico |
duet |
duet Ernesto+ Don Pasquale |
tenor+ bariton |
1.34-2.45 |
|
|
1.11 |
Ah! Das Schicksal macht mich zum Bettler* |
duet |
duet Ernesto+ Don Pasquale |
tenor+ bariton |
1.34-2.45 |
|
|
1.11 |
Ah le destin me ruine* |
duet |
duet Ernesto+ Don Pasquale |
tenor+ bariton |
1.34-2.45 |
|
|
1.12 |
Quel guardo il cavaliere |
solo |
recitatief van So anch io la virtu |
sopraan colleratuur |
2.08-5.49 |
|
|
1.12 |
Jener Blick traf den Kavalier* |
solo |
recitatief van So anch io la virtu |
sopraan colleratuur |
2.08-5.49 |
|
|
1.13 |
So anch'io la virtu magica |
solo |
aria Norina |
sopraan colleratuur |
3.27-6.05 |
|
|
1.13 |
Auch ich weiss wie man die Herzen* |
solo |
aria Norina |
sopraan colleratuur |
3.27-6.05 |
|
|
1.14 |
E il dottor no si vede |
duet |
scene Malatesta+ Norina |
bariton+ sopraan |
2.42 |
|
|
1.15 |
Buone nuove Norina |
duet |
scene Malatesta+ Norina |
bariton+ sopraan |
|
|
|
1.16 |
Ah! ein Feuer es brennt mich |
solo |
aria Malatesta |
bariton lyr |
|
|
|
1.17 |
Pronto io son |
duet |
duet Norina+ Malatesta |
sopraan colleratuur |
3.07 |
|
|
1.17 |
Ich bin bereit* |
duet |
duet Norina+ Malatesta |
sopraan colleratuur |
3.07 |
|
|
1.17 |
Je suis prête* |
duet |
duet Norina+ Malatesta |
sopraan colleratuur |
3.07 |
|
|
1.18 |
Mi volete fiera? |
duet |
scene Norina+ Malatesta |
sopraan+ bariton |
1.54 |
|
|
1.18 |
Wollt Ihr mich feurig?* |
duet |
scene Norina+ Malatesta |
sopraan+ bariton |
1.54 |
|
|
1.18 |
Me voulez vous fière?* |
duet |
scene Norina+ Malatesta |
sopraan+ bariton |
1.54 |
|
|
1.19 |
Vado corro |
duet |
scene Norina+ Malatesta |
sopraan+ bariton |
3.23 |
|
|
1.19 |
Ich eile laufe* |
duet |
scene Norina+ Malatesta |
sopraan+ bariton |
3.23 |
|
|
1.19 |
Je vais je cours* |
duet |
scene Norina+ Malatesta |
sopraan+ bariton |
3.23 |
|
|
1.20 |
A quel vecchio affe la testa |
duet |
duet Norina+ Malatesta |
sopraan+ bariton |
|
|
|
1.20 |
Jenem Alten wahrhaftig werde ich* |
duet |
duet Norina+ Malatesta |
sopraan+ bariton |
|
|
|
1.20 |
Ma parole cette fois nous ferons* |
duet |
duet Norina+ Malatesta |
sopraan+ bariton |
|
|
|
2.01 |
Povero Ernesto |
solo |
aria Ernesto |
tenor |
1.45 |
|
|
2.01 |
Armer Ernesto!* |
solo |
aria Ernesto |
tenor |
1.45 |
|
|
2.01 |
Pauvre Ernesto! |
solo |
aria Ernesto |
tenor |
1.45 |
|
|
2.02 |
Cerchero lontana terra |
solo |
recitatief+ aria Ernesto |
tenor |
2.00-2.20 |
|
|
2.02 |
In die Ferne will ich ziehen* |
solo |
recitatief+ aria Ernesto |
tenor |
2.00-2.20 |
|
|
2.02 |
Je chercherai des terres lointaines* |
solo |
recitatief+ aria Ernesto |
tenor |
2.00-2.20 |
|
|
2.03 |
E se fia che ad altro oggetto |
solo |
aria Ernesto |
tenor |
2.05-3.00 |
|
|
2.03 |
Und wenn es geschieht* |
solo |
aria Ernesto |
tenor |
2.05-3.00 |
|
|
2.03 |
Et si jamais tu tournes* |
solo |
aria Ernesto |
tenor |
2.05-3.00 |
|
|
2.04 |
Quando avrete introdotto |
solo |
aria Don Pasquale |
bas |
1.35 |
|
|
2.04 |
Wenn er den Dokter Malatesta* |
solo |
aria Don Pasquale |
bas |
1.35 |
|
|
2.04 |
Quand vous aurez introduit* |
solo |
aria Don Pasquale |
bas |
1.35 |
|
|
2.05 |
Via da brava |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
4.16 |
|
|
2.05 |
Vorwärts nur Mut* |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
4.16 |
|
|
2.05 |
Allons tres bien* |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
4.16 |
|
|
2.06 |
Non abbiate paura |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
2.38 |
|
|
2.06 |
Habt kein Angst* |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
2.38 |
|
|
2.06 |
N'ayez pas peur* |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
2.38 |
|
|
2.07 |
Misericordia! |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
|
|
|
2.07 |
Um Himmels willen* |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
|
|
|
2.07 |
Miséricorde!* |
trio |
scene Malatesta+ Norina+ Pasquale |
bariton+ sopraan+ bas |
|
|
|
2.08 |
Fra da una parte eccetera |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
3.33 |
|
|
2.08 |
Zwischen einerseits undsoweiter* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
3.33 |
|
|
2.08 |
Entre d'une part et coetera* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
3.33 |
|
|
2.09 |
Pria di partir signore |
kwartet |
scene Ernesto+ Pasquale+ Malatesta+ Norina |
tenor+ bas+ bariton+ sopraan |
1.50-2.01 |
|
|
2.09 |
Vor meiner Abreise mein Herr* |
kwartet |
scene Ernesto+ Pasquale+ Malatesta+ Norina |
tenor+ bas+ bariton+ sopraan |
1.50-2.01 |
|
|
2.09 |
Avant de partir Monsieur* |
kwartet |
scene Ernesto+ Pasquale+ Malatesta+ Norina |
tenor+ bas+ bariton+ sopraan |
1.50-2.01 |
|
|
2.10 |
Siete marito e moglie |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
3.22 |
|
|
2.10 |
Ihr seid nun Mann und Frau* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
3.22 |
|
|
2.10 |
Vous êtes mari et femme* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
3.22 |
|
|
2.11 |
Ah! e rimasto la impietrato |
kwartet |
scene Malatesta+ Norina+ Pasquale + Ernesto |
bariton+ sopraan+ bas+ tenor |
2.42-3.00 |
|
|
2.11 |
Ah! er steht da wie versteinert* |
kwartet |
scene Malatesta+ Norina+ Pasquale + Ernesto |
bariton+ sopraan+ bas+ tenor |
2.42-3.00 |
|
|
2.11 |
Ah! le voila pétrifi‚* |
kwartet |
scene Malatesta+ Norina+ Pasquale + Ernesto |
bariton+ sopraan+ bas+ tenor |
2.42-3.00 |
|
|
2.12a |
Riunita immantinente |
kwartet |
scene Norina+ Pasquale+ Ernesto+ Malatesta |
sopraan+ bas+ tenor+ bariton |
2.44-5.00 |
|
|
2.12a |
Ich wünsche dass sich sogleich* |
kwartet |
scene Norina+ Pasquale+ Ernesto+ Malatesta |
sopraan+ bas+ tenor+ bariton |
2.44-5.00 |
|
|
2.12a |
Je veux sur l'instant* |
kwartet |
scene Norina+ Pasquale+ Ernesto+ Malatesta |
sopraan+ bas+ tenor+ bariton |
2.44-5.00 |
|
|
2.12b |
Tre in tutto! |
solo |
aria Norina |
sopraan |
|
|
|
2.12b |
Drei im Ganzen!* |
solo |
aria Norina |
sopraan |
|
|
|
2.12b |
Trois en tout!* |
solo |
aria Norina |
sopraan |
|
|
|
2.13a |
Io lo? son tradito |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
2.28 |
|
|
2.13a |
Ich ich ich bin betrogen* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
2.28 |
|
|
2.13a |
Moi moi je suis trahi!* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
2.28 |
|
|
2.13b |
Son tradito son tradito |
kwartet |
scene Pasquale+ Ernesto+ Malatesta+ Norina |
bas+ tenor+ bariton+ sopraan |
2.28 |
|
|
2.13b |
Ich bin betrogen* |
kwartet |
scene Pasquale+ Ernesto+ Malatesta+ Norina |
bas+ tenor+ bariton+ sopraan |
2.28 |
|
|
2.13b |
Je suis trahi* |
kwartet |
scene Pasquale+ Ernesto+ Malatesta+ Norina |
bas+ tenor+ bariton+ sopraan |
2.28 |
|
|
3.. |
Lass es ach lass es mich hören |
duet |
duo |
sopraan+ tenor |
|
|
|
3.01 |
I diamanti presto presto |
koor |
bedienden tijdens tafeldekken |
nvt |
1.13 |
|
|
3.01 |
Die Diamanten schnell* |
koor |
bedienden tijdens tafeldekken |
nvt |
1.13 |
|
|
3.01 |
Les diamants vite* |
koor |
bedienden tijdens tafeldekken |
nvt |
1.13 |
|
|
3.02 |
Vediamo alla modista |
solo |
aria Don Pasquale |
bas |
1.48 |
|
|
3.02 |
Sehen wir fr die Modistin* |
solo |
aria Don Pasquale |
bas |
1.48 |
|
|
3.02 |
Voyons a la modiste* |
solo |
aria Don Pasquale |
bas |
1.48 |
|
|
3.03 |
Signorina in tanta fretta |
duet |
scene Pasquale+ Norina |
bas+ sopraan |
2.42-3.04 |
|
|
3.03 |
Signorina würdet Ihr mir wohl sagen* |
duet |
scene Pasquale+ Norina |
bas+ sopraan |
2.42-3.04 |
|
|
3.03 |
Madame voudriez vous me dire* |
duet |
scene Pasquale+ Norina |
bas+ sopraan |
2.42-3.04 |
|
|
3.04 |
E finita Don Pasquale |
duet |
scene Pasquale+ Norina |
bas+ sopraan |
3.03-3.26 |
|
|
3.04 |
Es ist vorbei Don Pasquale* |
duet |
scene Pasquale+ Norina |
bas+ sopraan |
3.04-3.26 |
|
|
3.04 |
C'est fini Don Pasquale* |
duet |
scene Pasquale+ Norina |
bas+ sopraan |
3.04-3.26 |
|
|
3.05 |
Via caro sposino |
duet |
duet Norina+ Don Pasquale |
sopraan colleratuur |
2.18-2.47 |
|
|
3.05 |
Komm liebes Männchen* |
duet |
duet Norina+ Don Pasquale |
sopraan colleratuur |
2.18-2.47 |
|
|
3.05 |
Allons cher petit époux* |
duet |
duet Norina+ Don Pasquale |
sopraan colleratuur |
2.18-2.47 |
|
|
3.06 |
Qualche nota di cuffie |
solo |
aria Don Pasquale |
bas |
1.32 |
|
|
3.06 |
Irgendeine Rechnung für Hauben* |
solo |
aria Don Pasquale |
bas |
1.32 |
|
|
3.06 |
Ce doit être quelque facture* |
solo |
aria Don Pasquale |
bas |
1.32 |
|
|
3.07 |
Che interminabile anti rivieni |
koor |
bedienden |
nvt |
3.29-4.00 |
|
|
3.07 |
Welch unaufhörliches Hinum und Herum* |
koor |
bedienden |
nvt |
3.29-4.00 |
|
|
3.07 |
Quels va et vient interminables* |
koor |
bedienden |
nvt |
3.29-4.00 |
|
|
3.07 |
Bediendenkoor* |
koor |
bedienden |
nvt |
3.29-4.00 |
|
|
3.07 |
Koor van bedienden * |
koor |
|
nvt |
3.40-4.06 |
|
|
3.08 |
Siamo intesi |
duet |
scene Malatesta+ Ernesto |
bariton+ tenor |
1.07 |
|
|
3.08 |
Wir haben uns verstanden* |
duet |
scene Malatesta+ Ernesto |
bariton+ tenor |
1.07 |
|
|
3.08 |
Nous sommes d'accord* |
duet |
scene Malatesta+ Ernesto |
bariton+ tenor |
1.07 |
|
|
3.09 |
Don Pasquale..cognato |
duet |
scene Malatesta+ Pasquale |
bariton+ bas |
3.23 |
|
|
3.09 |
Don Pasquale..Schwager* |
duet |
scene Malatesta+ Pasquale |
bariton+ bas |
3.23 |
|
|
3.09 |
Don Pasquale.. mon beau frère* |
duet |
scene Malatesta+ Pasquale |
bariton+ bas |
3.23 |
|
|
3.10 |
Cheti cheti immantinente |
duet |
duet Malatesta+ Don Pasquale |
bariton lyr+ bas buffo |
3.40 |
|
|
3.10 |
Leise leise werden wir sofort* |
duet |
duet Malatesta+ Don Pasquale |
bariton lyr+ bas buffo |
3.40 |
|
|
3.10 |
En silence sans attendre* |
duet |
duet Malatesta+ Don Pasquale |
bariton lyr+ bas buffo |
3.40 |
|
|
3.11 |
Aspetta aspetta cara sposina |
duet |
duet stretta Don Pasquale+ Malatesta |
bas buffo+ barit lyr |
2.25-2.42 |
|
|
3.11 |
Warte nur warte nur liebliches Bräutchen* |
duet |
duet stretta Don Pasquale+ Malatesta |
bas buffo+ barit lyr |
2.25-2.42 |
|
|
3.12 |
Come gentil |
solo |
serenade Ernesto |
tenor lyrisch |
2.30-4.01 |
|
|
3.12 |
O süsse Nacht* |
solo |
serenade Ernesto |
tenor lyrisch |
2.30-4.01 |
|
|
3.13 |
Tornami a dir che m'ami |
duet |
duet Norina+ Ernesto |
sopraan colleratuur |
2.43-5.30 |
|
|
3.13 |
Les ich in deinen Blicken* |
duet |
duet Norina+ Ernesto |
sopraan colleratuur |
2.43-5.30 |
|
|
3.13 |
Ah redis moi que tu m'aimes* |
duet |
duet Norina+ Ernesto |
sopraan colleratuur |
2.43-5.30 |
|
|
3.14 |
Eccoli attenti bene |
trio |
scene Pasquale+ Malatesta+ Norina |
bas+ bariton+ sopraan |
2.57 |
|
|
3.14 |
Da sind sie passt gut auf* |
trio |
scene Pasquale+ Malatesta+ Norina |
bas+ bariton+ sopraan |
2.57 |
|
|
3.14 |
Les voici soyons attentifs* |
trio |
scene Pasquale+ Malatesta+ Norina |
bas+ bariton+ sopraan |
2.57 |
|
|
3.15 |
Eccomi a voi accorda |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
1.29 |
|
|
3.15 |
Da bin ich Don Pasquale* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
1.29 |
|
|
3.15 |
Me voici Don Pasquale* |
kwartet |
scene Malatesta+ Norina+ Pasquale+ Ernesto |
bariton+ sopraan+ bas+ tenor |
1.29 |
|
|
3.16a |
Bravo bravo Don Pasquale |
trio/koor |
Pasquale+ Malatesta+ Norina |
bas+ bariton+ sopraan |
3.01 |
|
|
3.16b |
La morale in tutto questo |
solo |
aria Norina met koor |
sopraan |
|
|
|
3.16b |
Die moral von dem ganzen* |
solo |
aria Norina met koor |
sopraan |
|
|
|
3.16b |
La morale de tout ceci* |
solo |
aria Norina met koor |
sopraan |
|
|
|
|
|
|
|
|
|
|
Don Quichote 1 |
1.. |
Alza quand la femme a vingt ans |
solo |
lied Dulcinee |
alt |
|
|
Massenet Jules |
1.. |
Quand apparaissent les etoiles |
solo |
serenade Don Quichote |
bas dramatisch |
|
|
|
4.. |
Alza ne pensons qu'au plaisir d'aimer |
solo |
spaans lied Dulcinée |
alt |
|
|
|
4.. |
Oui je souffre votre tristesse |
solo |
aria Dulcinée |
alt |
|
|
|
|
|
|
|
|
|
|
Don Sebastie Portugal |
? |
Deserto in terra |
solo |
|
tenor |
5.51 |
|
Donizetti Gaetano |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Dona Francisquita |
? |
Por el humo se sabe |
solo |
aria |
tenor |
4.32 |
|
Vives Amadeo |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Donna del lago |
? |
Tanti affetti in tal momento |
? |
|
? |
|
|
Rossini Gioachimo |
? |
Qual pena in me gia desta |
? |
? |
? |
|
|
|
? |
Alla ragion deh rieda |
? |
? |
? |
|
|
|
? |
Eccomi a voi miei prodi |
solo |
|
tenor |
|
|
|
1.. |
Ah! quante lagrime finor versai |
solo |
aria Malcolm |
mezzo |
3.30 |
|
|
1.. |
Elena o tu che chiamo |
solo |
aria Malcolm |
mezzo |
3.60 |
|
|
1.. |
Mura felici ove il mio ben s'aggira |
solo |
recitatief Malcolm bij aria Elena o tu che chiamo |
mezzo |
2.40 |
|
|
1.. |
Happy walls where my beloved dwells * |
solo |
recitatief Malcolm bij aria Elena o tu che chiamo |
mezzo |
2.40 |
|
|
1.. |
Elena you on whom I call * |
solo |
aria Malcolm |
mezzo |
3.60 |
|
|
1.. |
Ah! how many tears * |
solo |
aria Malcolm |
mezzo |
3.30( |
|
|
|
|
|
|
|
|
|
Donne Diane |
1.01 |
Ouverture |
orkest |
|
geen |
4.17 |
|
Reznicek von Emil |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Dorilla in tempe |
? |
Dell aura al susarrar |
? |
|
alt |
|
|
Vivaldi Antonio |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Dreigroschen Oper |
0.. |
Moritat vom Mackie Messer |
solo |
ballade straatzanger |
? |
|
|
Weill Kurt |
0.. |
Und der Haifisch er hat Zahne |
solo |
lied straatzanger |
? |
|
|
|
0.. |
Das war Mackie Messer |
solo |
lied Spelunken Jenny |
mezzo |
|
|
|
1.. |
Morgenchoral |
solo |
ariapreek Peachum |
tenor |
|
|
|
1.. |
Das ist der Mond uber Soho |
duet |
duet Frau Peachum+ Polly |
alt+ sopraan |
|
|
|
1.. |
Hochzeitslied fur armere Leute |
koor |
koor tijdens bruiloft |
nvt |
|
|
|
1.. |
Seerauber Jenny |
solo |
aria Polly |
sopraan |
|
|
|
1.. |
Kanonensong |
duet |
ensemble Mackie(=Macheath)+ Tiger Brown |
bariton+ bas |
|
|
|
1.. |
Die Unsicherheit Menschlicher Verhaltnisse |
trio |
trio Peachum+ FRau Peachum+ Polly |
tenor+ alt+ sopraan |
|
|
|
1.. |
Anstatt duet * |
duet |
duet Frau Peachum+ Polly |
alt+ sopraan |
|
|
|
1... |
Barbarasong |
solo |
lied Polly |
sopraan |
|
|
|
2.. |
Polly's Lied |
solo |
aria Polly |
sopraan |
|
|
|
2.. |
Ballade von der sexuellen Horigkeit |
solo |
aria Frau Peachum |
alt |
2.42 |
|
|
2.. |
Zuhalter ballade |
duet |
dansduet Jenny+ Macheath |
mezzo+ bariton |
|
|
|
2.. |
Ballade von angenehmen Leben |
solo |
aria Macheath |
bariton |
4.34 |
|
|
2.. |
Eifersuchtsduet |
duet |
duet Polly+ Lucy |
sopraan + sopraan |
|
|
|
2.. |
Wovon lebt der Mensch? |
koor/duet |
slotkoor acte 2 met Macheath+ Frau Peachum |
bariton+ alt |
|
|
|
2.. |
Erst kommt das Fressen dann kommt Moral |
duet |
ensemble Macheath+ Frau Peachum |
bariton+ alt |
|
|
|
3.. |
Lied Unzulanglichkeit menschlichen Strebens |
solo |
aria Peachum |
tenor |
|
|
|
3.. |
Salomonssong |
solo |
lied Jenny |
mezzo |
|
|
|
3.. |
Ruf aus der Gruft- Nun hort die StimmeMittleid |
solo |
monoloog Macheath |
bariton |
|
|
|
3.. |
Ich bitte sie mir zu verzeihen |
solo |
aria Macheath |
bariton |
|
|
|
3.. |
Choral der Armsten der Armen |
samenzang |
hele cast zie by Verfolgt das Unrecht nicht sehr |
nvt |
|
|
|
3.. |
Verfolgt das Unrecht nicht zu sehr * |
samenzang |
ensemble hele cast = Choral Armsten der Armen |
nvt |
|
|
|
3.. |
Und so kommt zum guten Ende |
solo |
slotscene |
? |
|
|
|
3.. |
Grafschrift * |
solo |
aria Macheath |
bariton |
|
|
|
|
|
|
|
|
|
|
Duc d'Albe |
? |
Innosservato penetrava |
solo |
|
tenor |
7.08 |
|
Donizetti Gaetano |
? |
Angelo casto e bel |
solo |
|
tenor |
|
|
|
|
|
|
|
|
|
|
Due Foscari I |
? |
Notte perpetua notte |
solo |
aria Jacopo |
tenor |
3.36 |
|
Verdi Giuseppe |
? |
O vecchio cor |
? |
|
? |
|
|
|
? |
Eccomi solo alfine |
? |
|
? |
|
|
|
? |
Ah! si ch'io senta ancora |
solo |
|
tenor |
|
|
|
1-1 |
Sento iddio che mi chiama |
solo |
aria Jacopo |
tenor |
|
|
|
1-1 |
Dal piu remoto esilio |
solo |
aria Jacopo |
tenor |
|
|
|
1-1 |
Odio solo ed odio atroce |
solo |
aria Jacopo |
tenor |
|
|
|
1-2 |
La clemenze s'aggiunge lo schermo |
solo |
aria Lucrezia Contarini |
sopraan |
|
|
|
1-2 |
Tu al cui sguardi onni possente |
solo |
aria Lucrezia |
sopraan |
|
|
|
1-4 |
O vecchio cor che batti |
solo |
aria Francesco Foscari |
bariton |
|
|
|
2-1 |
Non maledirmi o prode |
solo |
aria Jacopo |
tenor |
|
|
|
3-1 |
O padre figli sposa |
solo |
aria Jacopo |
tenor |
|
|
|
3-1 |
All infelice veglio |
solo |
aria Jacopo Foscari |
tenor |
|
|
|
3-2 |
Piu non vive l'innocente |
solo |
aria Lucrezia |
sopraan |
|
|
|
3-2 |
Questa dunque e l'inique mercede |
solo |
aria Francesco |
bariton |
|
|
|
3-2 |
Quel bronzo feral |
solo |
aria Francesco |
bariton |
|